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V. Contemporary Artefacts Illustrated in Late Saxon Manuscripts

Bibliographic Data

ID20501137
AuthorsMartin Carver (0000-0002-7981-5741, corresponding author), M O H Carver
Year1986
Volume108
Pages117-145
Publication date1986-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueArchaeologia (JOURNAL)
Journal identifiersISSN: 0261-3409 • E-ISSN: 2051-3186
PublisherSociety of Antiquaries of London (PUBLISHER • GB)
DOI10.1017/s0261340900011735
OpenAlexW2321766858
LanguageEN
Citations received8
References cited26

How far do the pictures in early medieval manuscripts reflect contemporary life? Are the busy and attractive figures which populate many Carolingian or Late Saxon illuminations reflections of their painters and their patrons, or are they ghostly survivors of the Roman Empire, fossilized in a scribal convention? For some archaeologists, of course, the question of authenticity has never arisen, the contemporary relevance of pictures being cheerfully assumed; but it has to be stated at the outset that the odds are generally set against such optimism. That early painted books were usually copied from other painted books is clear from a continuity of image, picturecycle or design, all having roots in the Late Antique period. Thus drawing from life, or even abstract invention, where it occurred, will not be obvious and is probably only detectable at all by a process of elimination

Aesthetics · Ancient history · Antique · Art · Literature · Painting · Roman Empire · Stele · Visual arts · Classics · Historical and Archaeological Studies · Historical and Religious Studies of Rome · History · Medieval Literature and History

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Unique citing works8
Citations per year0,21
Citation span1988 - 2024 (37)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 7

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