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Henri Drayton, English Opera and Anglo-American Relations, 1850–72

Bibliographic Data

ID11498353
AuthorsBrian C Thompson, Brian Thompson (0000-0001-9731-306X, corresponding author)
Year2011
Volume136
Issue2
Pages247-303
Publication date2011-01-01
Open AccessYes
TypeARTICLE
VenueJournal of the Royal Musical Association (JOURNAL)
Journal identifiersISSN: 0269-0403 • E-ISSN: 1471-6933
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1080/02690403.2011.618722
OpenAlexW2001440954
LanguageEN

This article explores aspects of transatlantic culture through the career and works of the baritone, librettist and impresario Henri Drayton (1822–72). Using the published operas as well as reviews from period newspapers, the author retraces the events of the Philadelphia-born Drayton's professional life. Concentrating on the creative works, the author shows how Drayton went from playing stock roles at London's Drury Lane Theatre to collaborating with composers such as Joseph Duggan and Edward James Loder. With his wife, the soprano Susanna Lowe, Drayton performed in what he termed ‘drawing-room’ operas. Their popularity attracted the attention of visiting US impresario P. T. Barnum, who brought Drayton to New York in 1859. When his success in the USA was cut short by the outbreak of the Civil War, Drayton returned to London and created a one-man ‘entertainment’, Federals and Confederates . Spending what would be his final years as a member of the Richings English Opera Company, Drayton returned to New York in 1869

Archaeology · Art · Art history · Entertainment · Media studies · Newspaper · Opera · Political science · Popularity · Sociology · Spanish Civil War · Visual arts · Wife · Historical Influence and Diplomacy · History · Law · Musicology and Musical Analysis · Theater, Performance, and Music History

Highly citedNo

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