Henri Drayton, English Opera and Anglo-American Relations, 1850–72
Bibliographic Data
| ID | 11498353 |
|---|---|
| Authors | Brian C Thompson, Brian Thompson (0000-0001-9731-306X, corresponding author) |
| Year | 2011 |
| Volume | 136 |
| Issue | 2 |
| Pages | 247-303 |
| Publication date | 2011-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Journal of the Royal Musical Association (JOURNAL) |
| Journal identifiers | ISSN: 0269-0403 • E-ISSN: 1471-6933 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1080/02690403.2011.618722 |
| OpenAlex | W2001440954 |
| Language | EN |
This article explores aspects of transatlantic culture through the career and works of the baritone, librettist and impresario Henri Drayton (1822–72). Using the published operas as well as reviews from period newspapers, the author retraces the events of the Philadelphia-born Drayton's professional life. Concentrating on the creative works, the author shows how Drayton went from playing stock roles at London's Drury Lane Theatre to collaborating with composers such as Joseph Duggan and Edward James Loder. With his wife, the soprano Susanna Lowe, Drayton performed in what he termed ‘drawing-room’ operas. Their popularity attracted the attention of visiting US impresario P. T. Barnum, who brought Drayton to New York in 1859. When his success in the USA was cut short by the outbreak of the Civil War, Drayton returned to London and created a one-man ‘entertainment’, Federals and Confederates . Spending what would be his final years as a member of the Richings English Opera Company, Drayton returned to New York in 1869
Archaeology · Art · Art history · Entertainment · Media studies · Newspaper · Opera · Political science · Popularity · Sociology · Spanish Civil War · Visual arts · Wife · Historical Influence and Diplomacy · History · Law · Musicology and Musical Analysis · Theater, Performance, and Music History
| Highly cited | No |
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