On the edge of the cliff
History, language, and practices
Bibliographic Data
| ID | 11627826 |
|---|---|
| Authors | Roger Chartier (0000-0002-6008-9241, corresponding author) |
| Translators | Lydia G Cochrane |
| Year | 1997 |
| Pages | 288 |
| Publication date | 1997-01-01 |
| Open Access | No |
| Type | BOOK |
| Reviewed by | On the edge of the cliff: History, language, and practices, Allan Megill, 1998 |
| Venue | On the Edge of the Cliff: History, Language and Practices (Parallax: Re-visions of Culture and Society) (SOURCE_BOOK) |
| Publisher | Johns Hopkins University Press (PUBLISHER • US) |
| OpenAlex | W1542893851 |
| Open Library | OL7870256M |
| ISBN | 9780801854361 |
| Language | EN |
| Citations received | 23 |
The importance of history has been powerfully reaffirmed in recent years by the appearance of major new authors, pathbreaking works, and fresh interpretations of historical events, trends, and methods. Responding to these developments, Roger Chartier engages several of the most influential writers of cultural history whose works have spread far beyond academic audiences to become part of contemporary cultural argument. Challenging the assertion that history is no more than a fiction-making operation Chartier examines the relationships between history and fiction and proposes new foundations for establishing history as a specific kind of knowledge. Michel de Certeau's description of Michel Foucault's writings as the edge of the cliff, provides Chartier with an image he finds appropriate not only for Foucault but for many other recent historians-including de Certeau. Exploring the relationships between discursive practices and nondiscursive practices, Chartier examines the heterology of de Certeau pursues the chimera of origin and the causes of the French Revolution in Foucault's work; and raises four pertinent questions for the metahistory of Hayden White. He follows the work of Louis Marin into the distinctions between interpreting a painting and interpreting a text. And a trio of essays treats the historical sociology of Norbert Elias and his work on power and civility. Throughout, Chartier keeps his focus on historians who have stressed the relations between the products of discourse and social practices
Aesthetics · Archaeology · Argument (complex analysis · Art · Art history · Assertion · Cliff · Cultural history · Epistemology · Literature · Michel foucault · Political science · Politics · Power (physics · Social history (medicine · Sociology · Anthropology · Contemporary Sociological Theory and Practice · History · Law · Philosophy · Social and Cultural Dynamics · Sociology and Norbert Elias · Criticism · General · History: theory & methods · Language and history · Literary Criticism · Literary Criticism & Collections · Literary theory · Literature - Classics · Semiotics & Theory · Theory
Teoria da História – a escrita, o lugar do morto e do assombro
Tudor Religious Cultures in Practice
The Early Life of Marx's “Mode of Production”
Are we allowed to use fictional vignettes in cultural geographies
Caught in the Act
Globalizing Hayden White
Hayden White and/in France
Natalie Zemon Davis in China
Documents and detachment in the figurational sociology of sport
Imaging the Spanish Empire
Factions, Variety, Diversity, Multiplicity
The Lost Roots of the Theory of Group Analysis
An Experiment in Performative History
El contenido de la forma'. Madrid como ciudad invitada de honor en la FIL Guadalajara 2017
Reading Digital Denmark
El valor del análisis cultural para la historiografía de las décadas del treinta y cuarenta en Colombia
"Pensando o "impensável
Representações sociais e história
Thoughts that Flash like Lightning”
Till Death Do US Unite
Earth Accuses Earth
Retrieving the Lost Worlds of the Past
El estudio de la comunidad como un espacio para leer y escribir
| Unique citing works | 23 |
|---|---|
| Citations per year | 0,88 |
| Citation span | 2000 - 2025 (26) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |