Machinal (review)
Bibliographic Data
| ID | 11645843 |
|---|---|
| Authors | Sara Freeman (0000-0002-7300-4024, corresponding author) |
| Year | 2003 |
| Volume | 55 |
| Issue | 3 |
| Pages | 532-533 |
| Publication date | 2003-10-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tj.2003.0112 |
| OpenAlex | W4247954574 |
| Language | EN |
Mechelle Moe is an odd looking actress. Small, pale, with tiny close-set eyes peering below her stiffly styled wig, she shrinks onstage only to shoot a raspy melodious torrent of words that mount toward the expressionistic shrei that lurks below the text of Machinal: "I will not submit." Moe must be watched, yet she can be unbearable to hear. Accompanied by an onstage cello player echoing her voice, Moe courted and assaulted the audience—plaintive, aggressive, unceasing in struggling with the society/machine that consumed her
Aesthetics · Art · Mount · Peering · The Internet · Visual arts · World Wide Web · Computer Science · Psychology · Theater, Performance, and Music History · Theatre and Performance Studies
| Citation velocity | historical |
|---|---|
| Highly cited | No |