Sara Freeman
Biographic Data
| ID | 5542630 |
|---|---|
| NAME | Sara Freeman |
| GIVEN NAMES | Sara |
| FAMILY NAME | Freeman |
| SIGNATURE | FREEMAN S |
| AFFILIATIONS | RTI International |
| ORCID | 0000-0002-7300-4024 |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
At the Vanishing Point by Naomi Iizuka (review)
Reviewed by: At the Vanishing Point by Naomi Iizuka Sara Freeman At The Vanishing Point. Naomi Iizuka. Directed by Les Waters. Actors Theatre of Louisville, Pamela Brown Auditorium, Louisville. 30 January 2015. Under the artistic directorship of Les Waters, Actors Theatre of Louisville’s (ATL’s) main-stage season intentionally integrates the energies and innovations of the theatre’s annual Humana Festival of New American Plays. Waters’s January 2…
Improvements in Medicare Part D Risk Adjustment: Beneficiary Access and Payment Accuracy
INTRODUCTION: The continued success of the Medicare Part D program is contingent on appropriate Medicare payment adjustments for the projected drug costs of Part D plan enrollees. This article describes a major revision of these "risk adjustments," intended to more accurately match payments to costs, especially for high-cost, disadvantaged populations. METHODS: For the first time actual Part D data are used to calibrate risk adjustment. The sampl…
Political Theatre in Post-Thatcher Britain: New Writing, 1995–2005 (review)
The Importance of Being Earnest, and: Travesties (review)
Reviewed by: The Importance of Being Earnest, and: Travesties Sara Freeman The Importance of Being Earnest. By Oscar Wilde. Directed by Charles Newell. The Court Theatre, Chicago. 04122004. Travesties. By Tom Stoppard. Directed by Charles Newell. The Court Theatre, Chicago. 26032005. Pairing The Importance of Being Earnestand Travestiestantalizes the literate theatergoer and theatre artist alike. Part of the pleasure of Stoppard's travesty of Gre…
Machinal (review)
Mechelle Moe is an odd looking actress. Small, pale, with tiny close-set eyes peering below her stiffly styled wig, she shrinks onstage only to shoot a raspy melodious torrent of words that mount toward the expressionistic shrei that lurks below the text of Machinal: "I will not submit." Moe must be watched, yet she can be unbearable to hear. Accompanied by an onstage cello player echoing her voice, Moe courted and assaulted the audience—plaintiv…
Adaptation After Darwin: Timberlake Wertenbaker's Evolving Texts
After Darwin, Timberlake Wertenbaker's play about the effect of Charles Darwin's theories of evolution on late-twentieth-century social assumptions and moral imperatives, opened 8 July 1998 at the Hampstead Theatre in London. Manuscript evidence shows, however, that Wertenbaker had been chewing on ideas about how cultural hybridity, gender roles, and recent political upheavals interact with Darwin's theories for more than a decade. In the late 19…
Some Explicit Polaroids, and: Sweet Dreams (review)
Sweet Dreams. By Diane Esguerra. Sphinx Theatre Company, Chelsea Arts Centre, London. 28 October 1999
No prominent works on this page.
Some Explicit Polaroids, and: Sweet Dreams (review)
Sweet Dreams. By Diane Esguerra. Sphinx Theatre Company, Chelsea Arts Centre, London. 28 October 1999
Adaptation After Darwin: Timberlake Wertenbaker's Evolving Texts
After Darwin, Timberlake Wertenbaker's play about the effect of Charles Darwin's theories of evolution on late-twentieth-century social assumptions and moral imperatives, opened 8 July 1998 at the Hampstead Theatre in London. Manuscript evidence shows, however, that Wertenbaker had been chewing on ideas about how cultural hybridity, gender roles, and recent political upheavals interact with Darwin's theories for more than a decade. In the late 19…
Machinal (review)
Mechelle Moe is an odd looking actress. Small, pale, with tiny close-set eyes peering below her stiffly styled wig, she shrinks onstage only to shoot a raspy melodious torrent of words that mount toward the expressionistic shrei that lurks below the text of Machinal: "I will not submit." Moe must be watched, yet she can be unbearable to hear. Accompanied by an onstage cello player echoing her voice, Moe courted and assaulted the audience—plaintiv…
The Importance of Being Earnest, and: Travesties (review)
Reviewed by: The Importance of Being Earnest, and: Travesties Sara Freeman The Importance of Being Earnest. By Oscar Wilde. Directed by Charles Newell. The Court Theatre, Chicago. 04122004. Travesties. By Tom Stoppard. Directed by Charles Newell. The Court Theatre, Chicago. 26032005. Pairing The Importance of Being Earnestand Travestiestantalizes the literate theatergoer and theatre artist alike. Part of the pleasure of Stoppard's travesty of Gre…
Political Theatre in Post-Thatcher Britain: New Writing, 1995–2005 (review)
Improvements in Medicare Part D Risk Adjustment: Beneficiary Access and Payment Accuracy
INTRODUCTION: The continued success of the Medicare Part D program is contingent on appropriate Medicare payment adjustments for the projected drug costs of Part D plan enrollees. This article describes a major revision of these "risk adjustments," intended to more accurately match payments to costs, especially for high-cost, disadvantaged populations. METHODS: For the first time actual Part D data are used to calibrate risk adjustment. The sampl…
At the Vanishing Point by Naomi Iizuka (review)
Reviewed by: At the Vanishing Point by Naomi Iizuka Sara Freeman At The Vanishing Point. Naomi Iizuka. Directed by Les Waters. Actors Theatre of Louisville, Pamela Brown Auditorium, Louisville. 30 January 2015. Under the artistic directorship of Les Waters, Actors Theatre of Louisville’s (ATL’s) main-stage season intentionally integrates the energies and innovations of the theatre’s annual Humana Festival of New American Plays. Waters’s January 2…
Art (6 works) · Theatre and Performance Studies (4 works) · Art history (3 works) · History (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Literature (3 works) · Politics (3 works) · Psychology (3 works)