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Aural Topographies of Migration in Yamina Benguigui's Inch'Allah dimanche

Bibliographic Data

ID11660492
AuthorsAngelica Fenner (corresponding author)
Year2007
Volume22
Issue3
Pages93-127
Publication date2007-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCamera Obscura Feminism Culture and Media Studies (JOURNAL)
Journal identifiersISSN: 0270-5346 • E-ISSN: 1529-1510
PublisherDuke University Press (PUBLISHER • US)
DOI10.1215/02705346-2007-016
OpenAlexW1999722189
LanguageEN
Citations received1

Angelica Fenner is an assistant professor of German and cinema studies at the University of Toronto. Her research explores migration in European cinemas, with previous articles and reviews appearing in Camera Obscura, Film Quarterly, German Studies Review, Women in German, as well as in several anthologies. With Eric Weitz she also coedited the volume Fascism and Neo-fascism: Critical Writings on the Radical Right (2004)

Archaeology · Art · Art history · German · Movie theater · History · Italian Fascism and Post-war Society

  • Migration is everywhere

    Álvaro Luna-Dubois•Crossings Journal of Migration…•2023

Unique citing works1
Citations per year0,33
Citation span2023 - 2023 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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