Angelica Fenner
Biographic Data
| ID | 5779211 |
|---|---|
| NAME | Angelica Fenner |
| GIVEN NAMES | Angelica |
| FAMILY NAME | Fenner |
| SIGNATURE | FENNER A |
| AFFILIATIONS | University of Toronto |
| VERIFIED | No |
| TOTAL WORKS | 16 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1996 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Witnessing after the Human: Post‐Holocaust Landscapes of Ruination and Regeneration in Claude Lanzmann's Shoah
This essay explores potential implications of the nonhuman turn in memory studies via Claude Lanzmann's documentary, Shoah (1985), an enduring monument to the capacity for audiovisual affordances to facilitate oral history as it relates to collectivized trauma and atrocity originating during the Holocaust. I apply a new materialist approach to the film's editing, which excerpts interviews gathered in fourteen countries and interweaves these with …
Nuancing Movement and Stasis in Berlin School Films
Olivia Landry. Movement and Performance in Berlin School Cinema. Bloomington: Indiana University Press, 2018. 215 pages. $75.00 cloth. $32.00 paperback
Baer, Hester. German Cinema in the Age of Neoliberalism
Eric Rentschler. The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present
Representation Matters
In this conversation, which took place in Berlin, Germany, in August 2017, filmmaker Tatjana Turankskyj discusses recent developments in Pro Quote Film, the feminist initiative she cofounded with several other women filmmakers to promote gender parity in German film. PQF has been making significant strides in improving funding structures, work climate, and training opportunities for women in all sectors of the German film industry. In the interv…
Race under Reconstruction in German Cinema: Robert Stemmle's Toxi
Marco Abel. The Counter-Cinema of the Berlin School
Jennifer Fox's Transcultural Talking Cure: Flying: Confessions of a Free Woman (2007)
A coproduction for Danish public television, the six hour-long episodes comprising Jennifer Fox's most recent longitudinal documentary share a similar impetus to that underpinning feminist confessional literature and ethnographic filmmaking. During five years of travel to seventeen countries, she became habituated to living with the handheld digital camera as a means of examining the assumptions implicated in her own gender socialization and that…
Aural Topographies of Migration in Yamina Benguigui's Inch'Allah dimanche
Angelica Fenner is an assistant professor of German and cinema studies at the University of Toronto. Her research explores migration in European cinemas, with previous articles and reviews appearing in Camera Obscura, Film Quarterly, German Studies Review, Women in German, as well as in several anthologies. With Eric Weitz she also coedited the volume Fascism and Neo-fascism: Critical Writings on the Radical Right (2004)
Fascism and Neofascism
The BFI Companion to German Cinema
The BFI Companion to German is a concise and authoritative source of reference. Over two hundred entries on film actors, directors, producers, cinematographers, critics, film industry, film movements and festivals covers the entire spectrum of German-speaking cinema from the 1890s to the popular comedies of the 1990s. In-depth articles consider the artistic peaks of Weimer cinema, the emigre directors, film politics, and the star system of Nazi c…
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Cetin's Berlin in Berlin
Angelica Fenner is a lecturer in cultural studies and comparative literature at the University of Minnesota, Minneapolis. She recently completed a dissertation on the representation of Afro-Germans in early West German cinema and has published several articles that explore the Turkish-German cultural exchange in European film productions
Franz Xaver Kroetz: The Construction of a Political Aesthetic
Wedekinds Lulu: Zerrbild der Sinnlichkeit
Twilight Memories: Marking Time in a Culture of Amnesia
Encountering the Other(s): Studies in Literature, History, and Culture
Aural Topographies of Migration in Yamina Benguigui's Inch'Allah dimanche
Angelica Fenner is an assistant professor of German and cinema studies at the University of Toronto. Her research explores migration in European cinemas, with previous articles and reviews appearing in Camera Obscura, Film Quarterly, German Studies Review, Women in German, as well as in several anthologies. With Eric Weitz she also coedited the volume Fascism and Neo-fascism: Critical Writings on the Radical Right (2004)
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Cetin's Berlin in Berlin
Angelica Fenner is a lecturer in cultural studies and comparative literature at the University of Minnesota, Minneapolis. She recently completed a dissertation on the representation of Afro-Germans in early West German cinema and has published several articles that explore the Turkish-German cultural exchange in European film productions
Encountering the Other(s): Studies in Literature, History, and Culture
Wedekinds Lulu: Zerrbild der Sinnlichkeit
Twilight Memories: Marking Time in a Culture of Amnesia
Franz Xaver Kroetz: The Construction of a Political Aesthetic
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Cetin's Berlin in Berlin
Angelica Fenner is a lecturer in cultural studies and comparative literature at the University of Minnesota, Minneapolis. She recently completed a dissertation on the representation of Afro-Germans in early West German cinema and has published several articles that explore the Turkish-German cultural exchange in European film productions
The BFI Companion to German Cinema
The BFI Companion to German is a concise and authoritative source of reference. Over two hundred entries on film actors, directors, producers, cinematographers, critics, film industry, film movements and festivals covers the entire spectrum of German-speaking cinema from the 1890s to the popular comedies of the 1990s. In-depth articles consider the artistic peaks of Weimer cinema, the emigre directors, film politics, and the star system of Nazi c…
Fascism and Neofascism
Aural Topographies of Migration in Yamina Benguigui's Inch'Allah dimanche
Angelica Fenner is an assistant professor of German and cinema studies at the University of Toronto. Her research explores migration in European cinemas, with previous articles and reviews appearing in Camera Obscura, Film Quarterly, German Studies Review, Women in German, as well as in several anthologies. With Eric Weitz she also coedited the volume Fascism and Neo-fascism: Critical Writings on the Radical Right (2004)
Jennifer Fox's Transcultural Talking Cure: Flying: Confessions of a Free Woman (2007)
A coproduction for Danish public television, the six hour-long episodes comprising Jennifer Fox's most recent longitudinal documentary share a similar impetus to that underpinning feminist confessional literature and ethnographic filmmaking. During five years of travel to seventeen countries, she became habituated to living with the handheld digital camera as a means of examining the assumptions implicated in her own gender socialization and that…
Race under Reconstruction in German Cinema: Robert Stemmle's Toxi
Marco Abel. The Counter-Cinema of the Berlin School
Representation Matters
In this conversation, which took place in Berlin, Germany, in August 2017, filmmaker Tatjana Turankskyj discusses recent developments in Pro Quote Film, the feminist initiative she cofounded with several other women filmmakers to promote gender parity in German film. PQF has been making significant strides in improving funding structures, work climate, and training opportunities for women in all sectors of the German film industry. In the interv…
Eric Rentschler. The Use and Abuse of Cinema: German Legacies from the Weimar Era to the Present
Nuancing Movement and Stasis in Berlin School Films
Olivia Landry. Movement and Performance in Berlin School Cinema. Bloomington: Indiana University Press, 2018. 215 pages. $75.00 cloth. $32.00 paperback
Baer, Hester. German Cinema in the Age of Neoliberalism
Witnessing after the Human: Post‐Holocaust Landscapes of Ruination and Regeneration in Claude Lanzmann's Shoah
This essay explores potential implications of the nonhuman turn in memory studies via Claude Lanzmann's documentary, Shoah (1985), an enduring monument to the capacity for audiovisual affordances to facilitate oral history as it relates to collectivized trauma and atrocity originating during the Holocaust. I apply a new materialist approach to the film's editing, which excerpts interviews gathered in fourteen countries and interweaves these with …
Art (15 works) · Art history (9 works) · History (9 works) · Movie theater (9 works) · Sociology (9 works) · German (8 works) · History (7 works) · Archaeology (6 works) · Italian Fascism and Post-war Society (6 works) · Media studies (6 works)