From Craft to Corporate Interfacing
Rock Musicianship in the Age of Music Television and Computer-Programmed Music
Bibliographic Data
| ID | 11704354 |
|---|---|
| Authors | Christophe Den Tandt (corresponding author) |
| Year | 2004 |
| Volume | 27 |
| Issue | 2 |
| Pages | 139-160 |
| Publication date | 2004-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Popular Music & Society (JOURNAL) |
| Journal identifiers | ISSN: 0300-7766 • E-ISSN: 1740-1712 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/03007760410001685804 |
| OpenAlex | W2043447050 |
| Language | EN |
| Citations received | 9 |
Cet article analyse la reconfiguration de la fonction de musicien sous l’influence des innovations technologiques (vidéos musicales, numérisation). Le texte met en lumière la mutation des tâches musicales à partir d’un modèle artisanal (rock classique) vers un paradigme postindustriel ancré dans les technologies informatiques et numériques. Ce changement s’accompagne d’une modification des rôles genrés liés aux rôles du marché du travail
Art · Computer hardware · Computer music · Craft · Interfacing · Musical · Popular music · Rock music · Visual arts · Computer Science · Music Technology and Sound Studies
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| Citations per year | 0.53 |
|---|---|
| Citation span | 2009 - 2017 (9) |
| Highly cited | No |