Africa, art criticism and the big commentary
Bibliographic Data
| ID | 11735618 |
|---|---|
| Authors | Everlyn Nicodemus (corresponding author), Kristian Romare |
| Year | 1997 |
| Volume | 11 |
| Issue | 41 |
| Pages | 53-66 |
| Publication date | 1997-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Third Text (JOURNAL) |
| Journal identifiers | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528829708576701 |
| OpenAlex | W2004451687 |
| Language | EN |
| Citations received | 5 |
| References cited | 4 |
(1997). Africa, art criticism and the big commentary. Third Text: Vol. 11, No. 41, pp. 53-66
Art · Art criticism · Art history · Criticism · Literature · Performance art · African history and culture studies
The Ecole de Dakar
Professional and Personal Identity, Precarity and Discrimination in Global Arts Journalism
A postcolonial reading of mural art in South Africa
Beyond the “Popular” versus “Serious” Criticism Binary
The impact of the two Johannesburg biennales (1995 and 1997) on the formation of a 'New South African art
| Citations per year | 0.19 |
|---|---|
| Citation span | 1999 - 2023 (25) |
| Highly cited | No |