Utilisation dramatique des espaces chez Apollonios de Rhodes. Portes et zones de transition
Bibliographic Data
| ID | 11827745 |
|---|---|
| Authors | Sophie Rougier-Blanc (corresponding author) |
| Year | 2003 |
| Volume | 116 |
| Issue | 1 |
| Pages | 91-108 |
| Publication date | 2003-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Revue des Études Grecques (JOURNAL) |
| Journal identifiers | ISSN: 0035-2039 • E-ISSN: 2260-8079 |
| Publisher | Association of Greek Studies (PUBLISHER) |
| DOI | 10.3406/reg.2003.4521 |
| OpenAlex | W2009211891 |
| Language | FR |
| Citations received | 2 |
Architectural terms are not only used in the epic of Homer to describe the components of houses but they belong to central themes and help to the progress of the drama both in the Iliad and in the Odyssey. Apollonius Rhodius does the same in the Argonautica, as far as the transitional areas are concerned (πρόδομος, αἴθουσα, θύρα, πύλη). Each term is connected with the emotional state of the main character : Medea. Some others (προμολή and παστός, unknown by Homer but present in the alexan- drian poetry) are used in the same way : it shows that Apollonius imitates but also creates his own dramatic space
Art · Character (mathematics · Drama · EPIC · Geometry · Humanities · Linguistics · Literature · Poetry · Space (punctuation) · Transition (genetics · Ancient Egypt and Archaeology · Ancient Mediterranean Archaeology and History · Classical Antiquity Studies · Mathematics · Philosophy
| Unique citing works | 2 |
|---|---|
| Citations per year | 0.15 |
| Citation span | 2013 - 2018 (6) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 2 |