Musicality in Modern Greek Poetry 1900–1930
Bibliographic Data
| ID | 11933276 |
|---|---|
| Authors | Christopher Robinson (0000-0001-6146-566X, United Church of Christ, corresponding author) |
| Year | 1990 |
| Volume | 14 |
| Pages | 224-239 |
| Publication date | 1990-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Byzantine and Modern Greek Studies (JOURNAL) |
| Journal identifiers | ISSN: 0307-0131 • E-ISSN: 1749-625X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1179/byz.1990.14.1.224 |
| OpenAlex | W2013562349 |
| Language | EN |
In the late nineteenth century in France, a division arose between two concepts of poetry: poetry as a distinct form of expression, and poetry as a distinct form of perception. In the former the musicality of the poem was a primary feature: in the latter the aural value of the text was relatively unimportant
Art · Literature · Musical · Musicality · Poetry · Diverse Musicological Studies · Folklore, Mythology, and Literature Studies · History · Linguistics and language evolution
| Highly cited | No |
|---|