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Mathematics and painting

Bibliographic Data

ID11938007
AuthorsHenrik Jeldtoft Jensen (0000-0002-5398-3288, corresponding author)
Year2002
Volume27
Issue1
Pages45-49
Publication date2002-03-01
Open AccessNo
TypeARTICLE
VenueInterdisciplinary Science Reviews (JOURNAL)
Journal identifiersISSN: 0308-0188 • E-ISSN: 1743-2790
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1179/030801802225000000
OpenAlexW2066430922
LanguageEN

Mathematics and painting are interrelated in many ways. At a technical level mathematics can be used to enhance our appreciation of paintings. This was recently demonstrated beautifully by Taylor, Micolich, and Jones in their analysis of Jackson Pollock's drip paintings, which led them to the conclusion that Pollock's paintings are in a way figurative pictures. Relations also exist at a more basic level. Painting and mathematics can share subject matter, as is illustrated here by a discussion of the mathematical concepts 'open' and 'closed', which are related to paintings by Pollock, Kandinsky, Turner, and van Gogh. It is suggested in conclusion that mathematics and painting are so closely related and have so many similarities that it is reasonable to consider them simply as two different but complementary ways of visualising aspects of the concrete or abstract reality in which we are embedded

Art · Art history · Linguistics · Literal and figurative language · Painting · Pollock · Subject (documents · Subject matter · Visual arts · Aesthetic Perception and Analysis · Computer Science · Mathematics · Philosophy · Psychology

Highly citedNo

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