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Performing Holocaust Memory

Judd Ne'eman's Zitra

Bibliographic Data

ID12013803
AuthorsJanet Handler Burstein (Drew University, corresponding author)
Year2012
Volume36
Issue2
Pages323-336
Publication date2012-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueAJS Review The Journal of the Association for Jewish Studies (JOURNAL)
Journal identifiersISSN: 0364-0094 • E-ISSN: 1475-4541
PublisherProject MUSE (PUBLISHER • US)
DOI10.1017/s0364009412000219
OpenAlexW2128858483
LanguageEN
References cited10

Memory and its representations can reveal as much about a culture's sense of itself as they do about its past. Israeli critics have traced the ways in which representations of the Holocaust in their country's films reflect, among many other issues, Israeli culture's preoccupation with the construction of Israeli identity. According to one critic, the Holocaust survivor in films of the 1940s and 1950s embodied weakness and passivity: “all the traits that Israeli identity [was] meant to contrast.” In the 1970s, another critic suggests, films “read” the Holocaust from a “nationalist perspective...highlighting heroic resistance....” Thus, within a few decades, Israeli cinema seems to have represented in radically different ways—through the lens of the Holocaust—the intricacies of Israeli identity formation: first, by shaping memory in terms of the putative weaknesses of diaspora Jews, contrasting them with the strengths of the “new” Israeli Jew; and later, by emphasizing characteristics that linked heroic resisters with heroic Israelis

Aesthetics · Art · Collective memory · Diaspora · Embodied cognition · Epistemology · Identity (music · Literature · Movie theater · Nationalism · Perspective (graphical · Political science · Resistance (ecology · Sociology · The Holocaust · Theology · Visual arts · Gender Studies · History · Italian Fascism and Post-war Society · Jewish and Middle Eastern Studies · Law · Memory, Trauma, and Commemoration · Philosophy

  • Stranded objects

    Eric L Santner•Stranded objects•1990

  • Prosthetic memory

    Alison Landsberg•Prosthetic memory•2004

  • Identity Politics on the Israeli Screen

    Yosefa Loshitzky•Identity Politics on the Israeli…•2002

  • From Jew to Hebrew

    Nurith Gertz•Israel Affairs•1998

  • Performing as a moral act

    Dwight Conquergood•Literature and Performance•1985

  • Performance Studies

    Dwight Conquergood•TDR/The Drama Review•2002

  • The Anthropology of Performance

    Victor Turner, Victor Witter Turner•The anthropology of performance•1986

  • From Ritual to Theatre

    A Theodore Kachel, Victor Turner et al.•Journal for the Scientific Study…•1983

  • History, Memory, and Moral Judgment in Documentary Film

    Susan Rubin Suleiman•Critical Inquiry•2002

Citation velocityhistorical
Highly citedNo

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