Adoramus Te Christe
Music and Post-Reformation English Catholic Domestic Piety
Bibliographic Data
| ID | 12033373 |
|---|---|
| Authors | Emilie K M Murphy (0000-0001-7725-2423, University of York, corresponding author) |
| Year | 2014 |
| Volume | 50 |
| Pages | 240-253 |
| Publication date | 2014-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Studies in Church History (BOOK_SERIES) |
| Journal identifiers | ISSN: 0424-2084 • E-ISSN: 2059-0644 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0424208400001741 |
| OpenAlex | W2335656483 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
On the Feast of the Invention of the Holy Cross, 3 May 1606, Henry Garnet was hung, drawn and quartered in St Paul’s churchyard, London. In his last dying speech Garnet adapted the liturgy from the office hours of the day and he proclaimed in Latin: ‘We adore thee, O Christ and we Bless thee, because by thy Cross, thou hast redeemed the world. This sign shall appear in heaven, when the Lord shall come to judgment’. Finally, beseeching God to let him always remember the cross, he crossed his arms upon his chest and was turned off the scaffold
Art · Heaven · Liturgy · Piety · Sign (mathematics · Theology · Thou · History · Mathematics · Medieval Literature and History · Philosophy · Reformation and Early Modern Christianity
| Citations per year | 0.1 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |