Le Chant Du Monde
A Disenchanting Echo of Safavid Art History
Bibliographic Data
| ID | 12044869 |
|---|---|
| Authors | Abolala Soudavar (Houston, Texas, corresponding author) |
| Year | 2008 |
| Volume | 46 |
| Issue | 1 |
| Pages | 253-276 |
| Publication date | 2008-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Iran (JOURNAL) |
| Journal identifiers | ISSN: 0578-6967 • E-ISSN: 2396-9202 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/05786967.2008.11864747 |
| OpenAlex | W2790845759 |
| Language | EN |
| Citations received | 1 |
| References cited | 10 |
The catalogue of a major Safavid exhibition at the Louvre, written by Assadollah Souren Melikian-Chirvani, seems to be primarily aimed at contradicting established art history theories. Unfortunately, most of its author's contentions are based on the erroneous reading of Persian texts and false assumptions. The aim of this article is to try to prevent the readers of that catalogue being misguided by incorrect information
Art · Echo (communications protocol · Exhibition · Humanities · Linguistics · Literature · Persian · Reading (process · Visual arts · Computer Science · Eurasian Exchange Networks · Historical and Architectural Studies · History · Islamic Studies and History · Philosophy
Prefacing the Image
The Age of Muhammadi
Two Safavid Paintings
Les artistes nommés Dust-Moḥammad au XVI e siècle
Autopsia, in absentia
The Concepts of ' al-Aqdamo Aṣaḥḥ ' and ' Yaqin-e Sābeq ', and the Problem of Semi-fakes
Art of the Persian Courts
The Inspection and Valuation of Manuscripts in the Imperial Mughal Library
| Citations per year | 0.1 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |