Lobby Loyde
The G.O.D. father of Australian rock
Bibliographic Data
| ID | 12058327 |
|---|---|
| Authors | Paul Oldham (0000-0002-1013-4390, University of South Australia, corresponding author) |
| Year | 2012 |
| Volume | 109 |
| Issue | 1 |
| Pages | 44-63 |
| Publication date | 2012-04-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Thesis Eleven (JOURNAL) |
| Journal identifiers | ISSN: 0725-5136 • E-ISSN: 1461-7455 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0725513612444558 |
| OpenAlex | W1968441895 |
| Language | EN |
| Citations received | 5 |
| References cited | 6 |
This article contends that the influence of Australian rock musician Lobby Loyde has been overlooked by Australia’s popular music scholarship. The research examines Loyde’s significance and influence through the neglected sphere of his work (1966–1980) with The Coloured Balls, The Purple Hearts, The Wild Cherries, The Aztecs, Southern Electric, Sudden Electric and Rose Tattoo, and his role as producer in the late-1970s until his death. First, it explores how he has been discussed by his musical peers and respected Australian rock historians. Second, it details Loyde’s musical origins and work with early bands during the period in which he was first referred to as Australia’s first guitar hero. Third, it investigates the career and influence of The Coloured Balls, their relationship with the 1970s youth subculture known as the ‘sharpies’, and the media-fuelled moral panic which surrounded both the band and the sharpies. Fourth, it assesses Loyde’s work as a producer in the 1980s, and late-in-life recognition by the Australian music industry. In doing so, the article shows the nature and importance of Loyde’s contribution to Australia’s popular music industry and discusses why he is only known to a strong but small fraction of the Australian public
Aesthetics · Art · Criminology · Guitar · HERO · Literature · Management · Media studies · Moral panic · Music education · Music industry · Musical · Period (music · Political science · Popular music · Prestige · Rock music · Scholarship · Sociology · Subculture (biology · History · Law · Music History and Culture · Philosophy
| Citations per year | 0.36 |
|---|---|
| Citation span | 2012 - 2023 (12) |
| Highly cited | No |