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The Easybeats

From power pop to Oz rock

Bibliographic Data

ID4480961
AuthorsJ Stratton (0000-0001-6787-9388, University of South Australia, corresponding author)
Year2023
Volume176
Issue1
Pages24-48
Publication date2023-06-01
Open AccessYes
TypeARTICLE
VenueThesis Eleven (JOURNAL)
Journal identifiersISSN: 0725-5136 • E-ISSN: 1461-7455
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/07255136231165805
OpenAlexW4362733712
LanguageEN
References cited5

The Easybeats' 1960s career is viewed as being in two halves. In the first, they played pop songs composed by Stevie Wright and George Young. The group was incredibly successful in Australia spawning the term Easyfever to describe the adulation heaped on them by mainly teenage girls. In the second half, the group go to England and Young starts writing with Harry Vanda. The group had one huge international hit 'Friday On My Mind' and then their popularity declines as their audience loses interest in the group's more complex music and seemingly sophisticated lyrics. In this article I argue that the earlier songs can be read in terms of power pop avant la lettre and that a continuity can be discerned between the earlier songs and certain key later songs as Vanda and Young begin to develop a harder melodic rock sound anchored in power pop aesthetics that will be the template for AC/DC, a group that included Young's two younger brothers, and which helped define the generic form of Oz rock. I argue for the importance of Snowy Fleet's Merseybeat experience in the creation of the early sound, analyse the group's appeal for teenage girls and discuss the later song 'Good Times' as a melodic hard rock precursor of the kind of music played by AC/DC

Aesthetics · Appeal · Art · Art history · Humanities · Literature · Lyrics · Media studies · Melody · Musical · Political science · Popular music · Popularity · Rock music · Sociology · Wright · Law · Music History and Culture · Psychology · Social Psychology

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Highly citedNo

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