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It Follows and Rape Culture

Critical Response as Disavowal

Bibliographic Data

ID12098943
AuthorsLeslie A Hahner (0000-0002-3944-6689, Baylor University, corresponding author), Scott J Varda (0000-0002-1779-8405, Baylor University)
Year2017
Volume40
Issue3
Pages251-269
Publication date2017-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueWomen s Studies in Communication (JOURNAL)
Journal identifiersISSN: 0749-1409 • E-ISSN: 2152-999X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/07491409.2017.1346534
OpenAlexW2742105375
LanguageEN
Citations received4
References cited28

In 2014, the independent horror film It Follows debuted, garnering rave reviews from those who deemed the film subversive. In our view, this subversive potential could be generated from the ways the film explicitly references and counters rape culture. Yet so many critical responses to this film fail to even acknowledge that It Follows portrays or addresses sexual violence. We argue that while the film offers ample opportunity for the audience to grapple with the horrors of sexual violence, critical responses suggest that audiences do not overcome the entrenched violence of rape culture. Taking a novel path, this article first details the elements of the film that attempt to overturn horror film conventions and then analyzes critical responses to It Follows. We contend that critics use a variety of tactics to disavow rape in this film and thereby indicate the limits of filmic subversion

Aesthetics · Art · Media studies · Political science · Politics · Popular culture · Sociology · Subversion · Variety (cybernetics · Comics and Graphic Narratives · Computer Science · Gothic Literature and Media Analysis · Law · Sexual Assault and Victimization Studies · Artificial Intelligence

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Unique citing works4
Citations per year0,57
Citation span2019 - 2025 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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