Interromper o estigma
Imagética do aborto nas obras de artistas portuguesas
Bibliographic Data
| ID | 12128805 |
|---|---|
| Authors | Teresa Melo (0000-0001-9401-9068, corresponding author), Dalila Cerejo (0000-0002-0118-1558) |
| Year | 2025 |
| Issue | 51 |
| Publication date | 2025-06-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | ex aequo - Revista da Associação Portuguesa de Estudos sobre as Mulheres (JOURNAL) |
| Journal identifiers | ISSN: 0874-5560 • E-ISSN: 2184-0385 |
| Publisher | Edições Afrontamento, Lda (PUBLISHER • PT) |
| DOI | 10.22355/exaequo.2025.01.10 |
| OpenAlex | W4412564181 |
| Language | EN |
Interrupting the Stigma: Abortion Imagery in the Works of Portuguese ArtistsThis article analyzes the feminist-driven arts that challenge the stigma of abortion in Portugal between 2004 and 2023.By examining the works "O meu corpo pertence-me" (Paula Tavares 2005), "Lavagem a seco" (Carla Cruz and Catarina Carneiro de Sousa 2004), and "Cyanovan (Protocol)" (Diana Policarpo 2020), it aims to deepen the theoretical and historical frameworks on abortion stigmatization; to understand the visual narratives and strategies used in these works to identify, inform, and combat stigma; and, ultimately, to reflect on the potential of art to reconfigure political, ethical, and social realities, rather than merely represent or mirror existing conditions
Art · Bioethics and Human Rights Issues · History, Culture, and Society · Reproductive Health and Technologies
| Highly cited | No |
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