Mirror Visions and Dissolving Views
Vernon Lee and the Museological Experiments of Patrick Geddes
Bibliographic Data
| ID | 12154333 |
|---|---|
| Authors | Nick Burton (0000-0002-5495-3988, Canterbury Christ Church University, corresponding author), Hilary Fraser (0009-0005-7130-8963, University of London) |
| Year | 2006 |
| Volume | 28 |
| Issue | 2 |
| Pages | 145-160 |
| Publication date | 2006-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Nineteenth Century Contexts (JOURNAL) |
| Journal identifiers | ISSN: 0890-5495 • E-ISSN: 1477-2663 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/08905490600849568 |
| OpenAlex | W2035326290 |
| Language | EN |
| Citations received | 1 |
| References cited | 8 |
The nineteenth century has been described as “the age of the museum’s birth” and, pace Baudrillard, “the true age of the emergent hyperreal,” as the historical moment when the museological enterpri
Art · Art history · Astronomy · Pace · Physics · Theology · Vision · Geographies of human-animal interactions · Museums and Cultural Heritage · Philosophy · Photography and Visual Culture
| Citations per year | 0.06 |
|---|---|
| Citation span | 2009 - 2009 (1) |
| Highly cited | No |