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Asghar Farhadi

Acknowledging Hybrid Traditions: Iran, Hollywood and Transnational Cinema

Bibliographic Data

ID12224397
AuthorsDaniele Rugo (0000-0001-8606-9524, corresponding author)
Year2016
Volume30
Issue3-4
Pages173-187
Publication date2016-07-03
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThird Text (JOURNAL)
Journal identifiersISSN: 0952-8822 • E-ISSN: 1475-5297
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/09528822.2017.1278876
OpenAlexW2583448015
LanguageEN
Citations received4
References cited7

Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional simplicity. The work of Asghar Farhadi stands as an exception to this canon. His films focus on domestic conflicts and cultural contradictions in urban life and are marked by emotional complexity and intricate narrative structures. Focusing on these characteristics, critics have stressed his proximity to mainstream American cinema. The article analyses this proximity by discussing the thematic parallels that Farhadi's work enjoys with classical Hollywood films, as conceptualised by philosopher Stanley Cavell. The article explores the limit of this approach by connecting Farhadi's films to pre-revolutionary Iranian cinema, a body of work that, despite the little attention it has received, can nonetheless provide significant insights into Farhadi's oeuvre to date, whilst bringing to the fore the heterogeneous tradition of Iranian cinema

Aesthetics · Art · Art history · Epistemology · Hollywood · Immediacy · Literature · Mainstream · Movie theater · Narrative · Parallels · Political science · Simplicity · Sociology · Cinema and Media Studies · Law · Philosophy · South Asian Cinema and Culture · Turkey's Politics and Society

  • Censoring Iranian cinema

    Open Access•Hamid Taheri•Feminist Media Studies•2024

  • Multimodal representation of social discourses in Asghar Farhadi’s A Separation

    Kamran Ahmadgoli, Morteza Yazdanjoo•Social Semiotics•2019

  • Asghar Farhadi

    Open Access•Daniele Rugo•Third Text•2016

  • The Thousand-faced Salesman

    Kamran Ahmadgoli, Morteza Yazdanjoo•Comparative American Studies An…•2020

  • Culture and Customs of Iran

    Elton L Daniel, Ali Akbar Mahdi•Culture and Customs of Iran•2006

  • Iranian Cinema

    Ziba Mir-Hosseini, Ziba Mir‐hosseini•Middle East Report•2001

  • Civil Society and Political Theory

    Jean L Cohen, Andrew Arato•Crime, Inequality and the State•2020

  • Asghar Farhadi

    Open Access•Daniele Rugo•Third Text•2016

  • Gramsci y el concepto del bloque histórico

    Open Access•Carlos Emilio Betancourt•Historia Crítica•1990

  • Sense and Censorship in the Islamic Republic of Iran

    Blake Atwood•World Literature Today•2012

  • Critical discourse analysis

    Open Access•Huang Hoon Chng, Huang Hoon Chng Huang Hoon Chng•Journal of Pragmatics•1996

Unique citing works4
Citations per year0,4
Citation span2016 - 2024 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 4

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