A Case of Murderous Sensibility

After murdering Martha Ray in April 1779, James Hackman enjoyed an improbable media celebrity that rested largely on his ability both to embody and complicate the performative conventions of the late eighteenth‐century discourse of sensibility, which tied virtue to its embodied visibility. Supporters who lauded Hackman, but wanted to conserve his and their own moral agency, disentangled his character from his crime by attributing to him an interior space in which that character resided. Thus, while spectators delighted in the way that Hackman's sensible body registered his anguish at Ray's death, they could also paradoxically insist that his true intentions were hidden inside that suffering body, uncoupled from his violent deed. Such attributions of interiority helped to conserve both Hackman's masculinity and his agency by distinguishing his body from feminine bodies whose lack of such interior space rendered them vulnerable to a disordered and hysterical sensibility. The rhetorical energy devoted to defending Hackman provides a valuable case study of the ways that reconciliation was sought in the late eighteenth century between masculinity and agency within the discourse of sensibility and suggests that the differential, gendered distribution of interiority helped assuage fears about feeling's feminising potential

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