Making music in transitional societies

A case study of Poland

Bibliographic Data

ID12235504
AuthorsKrzysztof Kubacki (0000-0002-4002-5996, corresponding author)
Year2008
Volume17
Issue2
Pages115-127
Publication date2008-06-01
Open AccessNo
TypeARTICLE
VenueCultural Trends (JOURNAL)
Journal identifiersISSN: 0954-8963 • E-ISSN: 1469-3690
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/09548960802090667
OpenAlexW2006389331
LanguageEN
References cited33

Although many commentators emphasize the fact that when the arguments about quality of life in a particular place are brought about, “the value of music is found ... in making the city a place in which people wish to live” (Blake & Jeffery, 2000 Blake, A. and Jeffery, G. 2000. Commentary: The implications of “The value of music in London” for local and regional music policy. Cultural Trends, 38: 35–40. [Taylor & Francis Online] , [Google Scholar]). However, there are still only a handful of studies investigating different aspects of the cultural industries in Poland. The research reported in this article aims to investigate Polish musicians' perceptions of their current situation in the music industry, and their opinions on the changing nature of the production and consumption of music in Poland. A series of interviews were done with a cross-section of different generations of musicians. Their analysis shows a number of key themes emerging, which are discussed in the article. They broadly cover four major issues: the current situation of musicians, the music business, education and society. Recommendations for policy makers are indicated

Aesthetics · Art · Consumption (sociology · Media studies · Music education · Pedagogy · Period (music · Political science · Public relations · Social science · Sociology · Value (mathematics · Cultural Industries and Urban Development · Diverse Music Education Insights · Music History and Culture

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