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Paying the piper

A study of musicians and the music business

Bibliographic Data

ID23237732
AuthorsKrzysztof Kubacki (0000-0002-4002-5996, Aberystwyth University, corresponding author), Robin Croft (0000-0002-1236-6566, University of South Wales)
Year2005
Volume10
Issue4
Pages225-237
Publication date2005-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueInternational Journal of Nonprofit and Voluntary Sector Marketing (JOURNAL)
Journal identifiersISSN: 1465-4520 • E-ISSN: 1479-103X
PublisherWiley (PUBLISHER • GB)
DOI10.1002/nvsm.27
OpenAlexW2069577828
LanguageEN
Citations received3
References cited20

Many artists argue that treating music as a business represents a particularly insidious force in cultural life, stifling creativity and change. For them business and art are mutually incompatible and they regard the evident economic success of the music industry as an example of the shameless exploitation of our cultural heritage. This paper is based on detailed research into the attitudes of musicians across two distinct cultures. It finds strong echoes of the key criticisms of the music business which have been prominent in academic literature and in the specialist music press for more than a generation. Singled out for particular censure are not‐for‐profit organisations for apparently following the global recording companies down the same, profit‐driven routes. The research confirms that there is a large gap between the expectations of artists and the organisations which employ them and fund their work. It is important that these expectations are understood and, if possible, bridged. For the arts to regain their place at the heart of cultural life it is necessary once more to bring the artists themselves into the picture. Copyright © 2005 John Wiley & Sons, Ltd.

Aesthetics · Art · Business · Creativity · Economics · Music education · Music industry · Pedagogy · Performing arts · Political science · Profit (economics) · Public relations · Sociology · The arts · Visual arts · Art History and Market Analysis · Cultural Industries and Urban Development · Marketing · Music History and Culture · Psychology · Social Psychology

  • Rules and expectations of jazz gigs

    Karen Burland, E Pitt et al.•Social Semiotics•2012

  • Making music in transitional societies

    Krzysztof Kubacki•Cultural Trends•2008

  • Walking back to happiness

    Open Access•Jane Sturges, Catherine Bailey•Human Relations•2023

  • The Business of Music

    Open Access•Michael Talbot•The Business of Music•2002

  • On the Performing Arts

    Ruth Towse•Baumol’s Cost Disease•1997

  • How will the music industry weather the globalization storm

    Open Access•Wilfred Dolfsma•First Monday•2000

  • Commentary

    Andrew Blake, Graham Jeffery•Cultural Trends•2000

  • Where the Mystical Meets the Market

    Open Access•K Negus•The Sociological Review•1995

  • Between Two Worlds

    Open Access•J Stratton•The Sociological Review•1982

  • Music in Human Life

    Martin Stokes, John E Kaemmer et al.•Man•1994

Unique citing works3
Citations per year0.17
Citation span2008 - 2023 (16)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3

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Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae