Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Audiovisual laws and legal intervention in South American cinematic culture

Bibliographic Data

ID12340482
AuthorsMiriam Ro (0000-0003-3932-6617, University of Glasgow, corresponding author), Miriam R Ross
Year2010
Volume16
Issue4
Pages418-432
Publication date2010-11-01
Open AccessNo
TypeARTICLE
VenueInternational Journal of Cultural Policy (JOURNAL)
Journal identifiersISSN: 1028-6632 • E-ISSN: 1477-2833
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10286630903383246
OpenAlexW2028070880
LanguageEN
Citations received3
References cited14

In South America, various state organizations have an investment in producing some kind of ‘national’ cinema. Although different countries around the world have varied levels of government involvement, the four countries I would like to examine – Argentina, Bolivia, Chile and Peru – can be drawn upon for their similarities and the shared regional context in which their policies operate. Particularly important is the fact that an increase in government involvement and support has been taking place in the twenty‐first century against predictions that enhanced global capital would weaken the function of the state. Furthermore, it is frequently the case that policy, in the form of government regulation and funding, provides the only means for cinema’s continued existence, visibility and access to the public and thus cannot be underestimated. Complicating these factors is the fact that while legislation is in place, government bodies often struggle to implement the policies in a practical manner. This article examines these issues and suggests the effect they are having on the cinematic culture of the region

Capital (architecture · Context (archaeology · Economic interventionism · Government (linguistics · Intervention (counseling · Legislation · Movie theater · Political economy · Political science · Politics · Public policy · Sociology · State (computer science · Cinema and Media Studies · History · Law · Law in Society and Culture

  • Cinéma de l’autre monde. Irruption du réel et auto-réflexion auctoriale dans Fantasma de Lisandro Alonso

    Open Access•Márton Árva•Cinémas d’Amérique latine•2019

  • Cine del otro mundo. Irrupción de lo real y autorreflexión autoral en Fantasma de Lisandro Alonso

    Open Access•Márton Árva•Cinémas d’Amérique latine•2019

  • Nuevo cine ecuatoriano

    Open Access•Diana Coryat, Noah Zweig•post(s•2019

  • From Tribal Village to Global Village

    Alison Brysk•From Tribal Village to Global…•2000

  • Cultural Policy Studies

    Jim Mcguigan•Critical Cultural Policy Studies•2003

  • Cultural Policy

    Toby Miller, George Yúdice•Cultural Policy•2002

  • The Cultural Industries

    D Hesmondhalgh•The Cultural Industries•2019

  • Spaces of Identity

    David Morley, Kevin Robins•Spaces of Identity•2002

  • New German Cinema -- A History

    Richard C Helt, Thomas Elsaesser•German Studies Review•1990

  • Commodification and Instrumentality in Cultural Policy

    Clive Gray•International Journal of Cultural…•2007

  • Neo-liberalism and cultural policies in Latin America

    Javier Stanziola•International Journal of Cultural…•2002

  • Identities

    Open Access•Jesús Martín-Barbero, Jesús Martín‐barbero•Media Culture & Society•2002

  • National Belonging

    Jerry White•New Review of Film and Television…•2004

Citations per year0.43
Citation span2019 - 2019 (1)
Highly citedNo

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae