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The social contract of artists in the era of cultural industries

Bibliographic Data

ID12340896
AuthorsSigrid Røyseng (0000-0001-7767-6840, BI Norwegian Business School, corresponding author)
Year2016
Volume25
Issue2
Pages154-170
Publication date2016-09-15
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Cultural Policy (JOURNAL)
Journal identifiersISSN: 1028-6632 • E-ISSN: 1477-2833
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10286632.2016.1229313
OpenAlexW2519005483
LanguageEN
Citations received15
References cited20

The aim of this paper is to analyse the growing emphasis on the concepts of the experience economy, creative industries, and cultural industries as ways in which the social contract of artists is negotiated. What expectations are directed towards the artistic profession and how is the contribution of artists to society and their work conditions constructed by these concepts? The paper applies the concept of social contract from the sociology of professions which enables a focus on the artistic profession not only in an internal arts world perspective, but also in a broader societal frame. The study presented was carried out in a Norwegian context. Empirically, the paper is based on 28 applied research reports

Art · Context (archaeology · Creative industries · Cultural economics · Frame (networking · Norwegian · Perspective (graphical · Political science · Social contract · Social science · Sociology · The arts · Visual arts · Arts, Culture, and Music Studies · Cultural Industries and Urban Development · Law · Social and Cultural Dynamics

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Unique citing works15
Citations per year1.67
Citation span2017 - 2025 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 14

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