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Visualising Korea

Critical Moments in History, Society and Politics

Bibliographic Data

ID12349069
AuthorsR Bleiker (0000-0003-1435-2990, The University of Queensland, corresponding author), David Chapman (0000-0002-7277-5871, The University of Queensland), D Shim (0000-0002-0230-912X, University of Groningen)
Year2021
Volume45
Issue3
Pages374-380
Publication date2021-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAsian Studies Review (JOURNAL)
Journal identifiersISSN: 1035-7823 • E-ISSN: 1467-8403
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10357823.2021.1937836
OpenAlexW3192358331
LanguageEN
Citations received3
References cited17

The purpose of this special issue is to examine how visual representations have shaped changing notions of Korean society, culture and nationhood. While images surround us, and are increasingly recognised as crucial, we know surprisingly little about the role visuality plays in the context of Korean politics and society. Only a few selected studies engage the issues at stake. To address these issues, the authors in this collection explore how the Korean peninsula has been imagined, represented and displayed through images during critical historical and contemporary moments over the past century. The key moments that the contributors address include Japanese colonialism and its legacy, national division and authoritarian rules in North and South Korea, interactions with the international community, and the transition to democracy in the South. The visual realms the contributors draw upon include photographs, film, monuments, and digital reproductions of them. The key questions each contributor asks are: how have visual factors influenced key events? What can we learn from visual sources that we cannot learn from textual ones

Archaeology · Authoritarianism · Colonialism · Context (archaeology · Democracy · Key (lock · Media studies · Political science · Politics · Sociology · Transition (genetics · Visual culture · Anthropology · Asian Culture and Media Studies · History · Japanese History and Culture · Law · Memory, Trauma, and Commemoration

  • Commentary for Visual Studies

    R Bleiker•Visual Studies•2021

  • Seeing beyond disciplines

    R Bleiker•Australian Journal Of International…•2021

  • Affective capture and flight of bodies

    Open Access•Ihntaek Hwang•Critical Military Studies•2025

  • The Politics of Aesthetics

    Jacques Rancière•The Politics of Aesthetics•2012

  • Vision, Race, and Modernity

    Deborah Poole•Vision, Race, and Modernity•1997

  • Showing seeing

    Open Access•W J T Mitchell, William J Mitchell•Journal of Visual Culture•2002

  • There Are No Visual Media

    Open Access•W J T Mitchell, William J Mitchell•Journal of Visual Culture•2005

  • Mapping visual global politics

    R Bleiker•Visual Global Politics•2018

  • Illusive Utopia

    Suk-Young Kim•Illusive utopia•2010

  • Art under Control in North Korea

    James Hoare•Journal of the History of…•2007

  • Cinematic Representations of the Gwangju Uprising

    Open Access•D Shim•Asian Studies Review•2020

  • Staging Images of Everyday Life in Late Colonial Korea

    Michael Kim•Asian Studies Review•2021

  • Transwar Continuities of Colonial Intimacy

    Su Yun Kim•Asian Studies Review•2020

  • Visualising Korea

    David Chapman•Asian Studies Review•2020

  • Aesthetic Constructions of Korean Nationalism

    Hong Kal•Aesthetic constructions of Korean…•2011

  • Geopolitics and visuality

    Open Access•David J T Campbell, David Campbell•Political Geography•2007

  • Visual autoethnography and international security

    Open Access•R Bleiker•European Journal of International…•2019

Unique citing works3
Citations per year0,6
Citation span2021 - 2025 (5)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 3

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