Geopolitics and visuality
Sighting the Darfur conflict
Bibliographic Data
| ID | 5809247 |
|---|---|
| Authors | David J T Campbell (0000-0002-5570-3630, Durham University, corresponding author), David Campbell (0000-0003-0525-8150) |
| Year | 2007 |
| Volume | 26 |
| Issue | 4 |
| Pages | 357-382 |
| Publication date | 2007-01-23 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Political Geography (JOURNAL) |
| Journal identifiers | ISSN: 0962-6298 • E-ISSN: 1873-5096 |
| Publisher | Elsevier BV (PUBLISHER) |
| DOI | 10.1016/j.polgeo.2006.11.005 |
| OpenAlex | W2129851918 |
| Language | EN |
| Citations received | 144 |
| References cited | 27 |
Aesthetics · Argument (complex analysis · Art · Field (mathematics · Geopolitics · Iconography · Photography · Photojournalism · Political science · Politics · Sociology · Visual arts · Visual culture · Visual rhetoric · Anthropology · Geographies of human-animal interactions · Memory, Trauma, and Commemoration · Photography and Visual Culture · Law · Philosophy
Visuality, temporality, and the uncertain geopolitics of the Russo-Ukrainian war
Hotel Geopolitics
Geografias E Imagens
Global Corpse Politics
Seeing the Visual
Sensible Politics
Images of liberation? Visual framing, humanitarianism and British press photography during the 2003 Iraq invasion
Representing and Reframing Migration
Affect, credibility, and solidarity
Sudan Conflict Impact on the Horn of Africa Security
Constructing the ‘Right Image’
Visual Securitization
Staging the Ocean
Seeing like a renewable energy company
Public and private photographs of refugees
Donor Aid and Private Investment
Visuality, photography, and media in international relations theory
Rethinking Security
Covering Kiruna
Picturing the Arctic
The visual communication of Brexit in Northern Ireland
On viewing
Witnessing violence through photography
Decolonizing Engagement? Creating a Sense of Community through Collaborative Filmmaking
Ikoner og aporier i den vestlige debatten om borgerkrigen i Syria
How geopolitical becomes personal
Turning’ everywhere in IR
Media Visualisation of Conflict
The problem of different post-colonial spatial contexts in television news about distant wartime suffering
The sentimentalist paradox
Staring Down the State
Are We What We Play? Global Politics in Historical Strategy Computer Games
Teaching Prisoners' Dilemma Strategies in Survivor
Imaging North Korea
Homogeneous or hegemonic? A cultural reading of the Sports Illustrated swimsuit issue burkini
Sober encounters”
Gender, visuality and violence
Citizen camera-witnessing
Securitisation through the schoolbook? On facilitating conditions for and audience dispositions towards the securitisation of climate change
The will to do good and the clash of practices
The Aesthetic Power of Ships in International Political Communication
The Marketisation of Social Justice
Are There Politics in Childhood
Save the child
Visualising Korea
Seeing beyond disciplines
Participatory video
The semiotics of visual and textual legitimacy in the 2014 Gaza war
Distancing the extraordinary
The victory image
The Battle of Ideas About Global Poverty in the United Kingdom, The Netherlands, and Flanders
Strategic narratives, visuality and infrastructure in the digital age
Rethinking Kurdish geopolitical space
Terrorism in the textbook
Popular culture and politics
Writing Visual Global Politics
Strategic Communications of the Arctic Council
The radical geopolitics of US foreign policy
Feminist geopolitics, cinema, and the sensible encounter in American Sniper
The evolving narrative of the Darfur conflict as represented in The New York Times and The Washington Post, 2003–2009
The geographies of cultural geography II
Military landscapes
Baby bust
The politics of walls
Populist stories of honest men and proud mothers
Nato's strategic narratives
Sensing the ground
Appearing to disappear
Challenges in the pursuit of justice for East Timor’s Great Famine (1977–1979)
International Accompaniment and Witnessing State Violence in the Philippines
Parliament in gross human rights violations
Reading Brand Africa Geopolitically
War and peace
Rethinking art and geopolitics through aesthetics
Defining a visual metonym
Digging into Google Earth
Image matters
Who cares for which dead and how? British newspaper reporting of the bombings in London, July 2005
The visual international politics of the European refugee crisis
Visuality, Hybridity, and Colonialism
Witnessing Health and Place
A critical geopolitics of observant practice at British military airshows
Visualising everyday geographies
The Uneven Citizenry of Photography
Recovering a sense of political economy
Secrecy and absence in the residue of covert drone strikes
Women in the neighbourhood
Geopolitics is aesthetic
Postdevelopment Television? Cultural Citizenship and the Mediation of Africa in Contemporary TV Drama
The Freelancer–NGO Alliance
Aesthetics of protest
Seeing and not seeing the Syrian crisis
In Search of the Pitiful Victim
Protest is Just a Click Away!” Responses to the 2003 Iraq War on a Bulletin Board System in China
Aesthetic strategic narratives and political artwork
Eliminating gender-based violence can unlock the solutions to ending all violence
Spectacles of Sovereignty in Digital Time
Visualizing War? Towards a Visual Analysis of Videogames and Social Media
Territorial Conflict in the Digital Age
Reproducing Colonialism
The politics of representation
White on Black
Photographs Objects Histories
Vision, Race, and Modernity
Picturing Empire
Showing seeing
Imagining the Balkans
Moving images
On videocameralistics
The Aesthetic Turn in International Political Theory
On the Need to Ask How, Exactly, Is Geography “Visual”
The Genocide Definition in the Jurisprudence of the Ad Hoc Tribunals
Between the Book and the Lamp
Africa on Camera
Who are the Darfurians? Arab and African identities, violence and external engagement
Apartheid cartography
Geopolitics and 'the vision thing
The Force of Things
Reel Geopolitics
Innocents Abroad
Horrific Blindness
Tropics of Discourse
Philosophy and the Mirror of Nature
The Domain of Images
Vision, Race, and Modernity
| Unique citing works | 144 |
|---|---|
| Citations per year | 8 |
| Citation span | 2008 - 2026 (19) |
| Citation velocity | current |
| Highly cited | Yes |
| Citation types | Neutral: 141 |