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Embodying/writing/performing “women’s work”

Pleasurable tensions and double binds of feminist performative autoethnography

Bibliographic Data

ID12369986
AuthorsShelby Swafford (0000-0002-8397-4868, School of Communication Studies, Southern Illinois University, Carbondale, IL, USA, corresponding author)
Year2021
Volume42
Issue1
Pages1-16
Publication date2021-10-27
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueText and Performance Quarterly (JOURNAL)
Journal identifiersISSN: 1046-2937 • E-ISSN: 1479-5760
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10462937.2021.1993318
OpenAlexW3211105174
LanguageEN
Citations received1
References cited19

This essay explores a feminist aesthetics of performative autoethnography. I trace the connections between performance studies and feminist body-writing practices and argue for the creative double bind as a heuristic for negotiating the “pleasurable tensions” between body/paper/stage. Locating these connections and tensions in my autoethnographic performance work, I articulate three double binds – material/social, personal/political, and aesthetic/ethic – that illustrate the “women’s work” of feminist performative autoethnography

Aesthetics · Art · Autoethnography · Negotiation · Performative utterance · Performativity · Political science · Politics · Social science · Sociology · Diversity and Impact of Dance · Gender Studies · Posthumanist Ethics and Activism · Theatre and Performance Studies

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Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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