Bodies of/as Evidence in Autoethnography
Bibliographic Data
| ID | 8084764 |
|---|---|
| Authors | Tami Spry (0000-0002-2795-6024, corresponding author) |
| Year | 2009 |
| Volume | 1 |
| Issue | 4 |
| Pages | 603-610 |
| Publication date | 2009-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | International Review of Qualitative Research (JOURNAL) |
| Journal identifiers | ISSN: 1940-8447 • E-ISSN: 1940-8455 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1525/irqr.2009.1.4.603 |
| OpenAlex | W2254376373 |
| Language | EN |
| Citations received | 29 |
| References cited | 11 |
Qualitative researchers are aptly positioned to address issues implicated in the politics of evidence in scholarship. Autoethnography in particular carries important methodological implications for how the body is sited in what constitutes knowledge, evidence, and the evidence of knowledge. I argue that if autoethnography is epistemic, then the evidence of how we know what we know must reside in the aesthetic crafting of critical reflexion upon the body-as-evidence. As we develop “post” methodologies we may be in danger of expecting the personal or emotional to stand in for literary acumen. Performative autoethnography resides in the intersections of knowledge construction and art, in the aesthetic articulation of the performative body, in a personally political reflection whose evidence is an epistemic/aesthetic praxis. I utilize autoethnographic writing on loss and hope to operationalize the epistemic/aesthetic praxis as an ethical imperative for performative autoethnography
Aesthetics · Art · Articulation (sociology · Autoethnography · Epistemology · Operationalization · Performative utterance · Political science · Politics · Praxis · Scholarship · Social science · Sociology · Participatory Visual Research Methods · Posthumanist Ethics and Activism · Theatre and Performance Studies · Philosophy
Resilience‐as‐doing
Professional and Personal Experiences as Leverage for Learning
Manifestations of surveillance in private sector dance education
Black Woman Insighting Future Vision
Pledging Personal Allegiance to Qualitative Inquiry
Critical Beginnings
Queerscape
Being in ‘relation’ but not necessarily in ‘community’
Onboarding, Orientation, and Mentoring as Culture-Crafting Processes
Growing together
Popping-a-Squat and Other Bits of Ephemera
Joven, Extranjera, y Deprimida en América
Apresentação -Autoetnografias, escritas de si e produções de conhecimentos corporificadas
The Margin Speaks
Delayed PhD completion
Visiting Day” at Rikers Island
Towards a Global Social Policy Otherwise
Embodying/writing/performing “women’s work”
Depression (re)cycling
Touching the dead
Researcher as performer
A Jazz Aesthetic Reprise (on the Work of Tami Spry)
Relationally Bare/Bear
Call it Swing
The Unsettled Career of Tami Spry
A autoetnografia performática e a pesquisa qualitativa na Saúde Coletiva
Citizenship and discomfort
Performance Autoethnography
Heart Murmur
The ends of performance
Critical Ethnography
The Performance Studies Reader
Performing theory/embodied writing
Autoethnography's Family Values
A “Performative-I” Copresence
Nursing mother and articulating absence
Performance Studies
Performative Writing as Scholarship
Jarheads, Girly Men, and the Pleasures of Violence
| Unique citing works | 29 |
|---|---|
| Citations per year | 1,71 |
| Citation span | 2009 - 2026 (18) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 28 |