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Hunting Gwendolen

Animetaphor in Daniel Deronda

Bibliographic Data

ID12410754
AuthorsChase Pielak (Claremont Graduate University, corresponding author)
Year2012
Volume40
Issue1
Pages99-115
Publication date2012-03-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s106015031100026x
OpenAlexW2147926843
LanguageEN
Citations received3
References cited19

In George Eliot's Daniel Deronda , animal vitality figures prominently in shaping the human shell, to use an opening animal metaphor. Approaching the significance of the animal leads to a reading of Gwendolen Grandcourt's character as a responsible creature. Gwendolen is Eliot's heroine, one half of the pair of protagonists around whom the novel revolves. Eliot's fantastic character takes shape in three movements, each punctuated by its own animal metaphor: Gwendolen morphs from Lamia to mastered-animal to white doe. Animal imagery appears at the edge of the human, the point at which humanity gains and loses subjectivity, and Gwendolen's novel is fundamentally one of finding her place in the world, her singularity, her responsibility. Images of animals stand in the linguistic gaps – in the places words fail – to figure the subject. 1 Animals appear at the end of the ability of language to mean. Nevertheless, this analysis is not intended to encompass the complex range of animal representations in George's Eliot's oeuvre, or even to catalog every example in Daniel Deronda . Instead, it suggests the possibility of using animal metaphor as a map for reading a Victorian heroine

Aesthetics · Art · Character (mathematics · Epistemology · Humanity · Interpretation (philosophy · Linguistics · Literature · Metaphor · Reading (process · Subject (documents · Subjectivity · Computer Science · History · Joseph Conrad and Literature · Language, Metaphor, and Cognition · Philosophy · Travel Writing and Literature

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    Helen Kingstone•Nineteenth Century Contexts•2017

  • Yachting With Grandcourt

    Open Access•Kathleen McCormack•Victorian Literature and Culture•2015

  • Picturing the beast

    Steve Baker•Picturing the beast•1993

  • Animal Angst

    Teresa Mangum•Victorian Animal Dreams•2017

  • George Eliot's Language of Nature

    Karen B Mann•ELH•1981

  • Unmapped Country”

    Open Access•Louise Penner•Victorian Literature and Culture•2002

  • Kafka's Josefine

    Margot Norris•Modern Language Notes•1983

  • Magnetic Animal

    Akira Mizuta Lippit•Modern Language Notes•1998

  • Phantom Formations

    Open Access•Marc Redfield•Phantom Formations•2018

Unique citing works3
Citations per year0,27
Citation span2015 - 2026 (12)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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