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Beauty

Bibliographic Data

ID12411730
AuthorsJonah Siegel (0000-0003-0798-2812, corresponding author)
Year2020
Volume48
Issue4
Pages745-771
Publication date2020-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVictorian Literature and Culture (JOURNAL)
Journal identifiersISSN: 1060-1503 • E-ISSN: 1470-1553
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s1060150320000315
OpenAlexW4255918167
LanguageEN
References cited26

Alfred Tennyson's poem “The Palace of Art” (1832/1842) is liable to strike the modern reader as all too clear in its meanings. Yet the author evidently feels the need to gloss the theme of the work and to elaborately preview its narrative in a brief poem that he includes with the piece when he sends it to his friend Richard Trench. “I send you here a sort of allegory (For you will understand it),” Tennyson writes in a peculiar formulation that muddies several issues about the aspirations of the work even while expressing certainty about the poem's clarity. The suggestion is that Trench will have access to a particular insight (“you will understand” being something we say when others may not). Or does Tennyson mean that the allegory is so clear that its tendency is unmissable? That would certainly be a reasonable construal of the claim about a poem with few apparent mysteries

Aesthetics · Allegory · Art · Beauty · Certainty · CLARITY · Epistemology · Gloss (optics · Literature · Narrative · Poetry · Theme (computing · Artistic and Creative Research · Computer Science · Philosophy · Philosophy and Literary Analysis · Visual Culture and Art Theory

  • The Anti-aesthetic

    Hal Foster•The Anti-aesthetic•1989

  • An Underground History of Early Victorian Fiction

    Gregory Vargo•Underground History of Early…•2017

  • On Beauty and Being Just

    Elaine Scarry•On Beauty and Being Just•1999

  • Critique of the Power of Judgment

    Open Access•Immanuel Kant, Paul Guyer et al.•Critique of the Power of Judgment•2000

  • Distinction

    Pierre Bourdieu, Tony Bennett-undifferentiated•Distinction•1984

  • Cultural Capital

    John Guillory•Cultural Capital•1993

  • The Philosopher and His Poor

    Open Access•Jacques Rancière, Andrew Parker et al.•Philosopher and His Poor•2004

  • A Return to Aesthetics

    Jonathan Loesberg•A Return to Aesthetics•2005

  • The Political Poetess

    Tricia Lootens•Political Poetess•2017

  • The Secret History of Domesticity

    Michael Mckeon•Secret History of Domesticity•2006

  • Practical Reason

    Pierre Bourdieu, Pierre Bourdieu Hulya Ugur Tanriover Bahadir Vural Savas Cekic•Practical reason•1998

  • The Rules of Art

    Pierre Bourdieu•The Rules of Art•1996

  • The Poetry of Chartism

    Stephen Roberts, Stephen G H Roberts•Journal of Victorian Culture•2011

  • The Philosopher and His Poor

    Open Access•Alex Thomson•Contemporary Political Theory•2006

  • Beauty

    Open Access•Lucy Hartley•Victorian Literature and Culture•2018

  • The Literate Eye

    Richard Beasley•The British Journal of Aesthetics•2011

  • La distinction, critique sociale du jugement

    Etienne Géhin, Nicolas Herpin et al.•Revue Française de Sociologie•1980

Citation velocityhistorical
Highly citedNo

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