The Literate Eye
Victorian Art Writing and Modernist Aesthetics
Bibliographic Data
| ID | 4158282 |
|---|---|
| Authors | Richard Beasley (0000-0003-0337-406X, corresponding author) |
| Year | 2011 |
| Volume | 51 |
| Issue | 1 |
| Pages | 111-113 |
| Publication date | 2011-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | The British Journal of Aesthetics (JOURNAL) |
| Journal identifiers | ISSN: 0007-0904 • E-ISSN: 1468-2842 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/aesthj/ayq039 |
| OpenAlex | W2332624229 |
| Language | EN |
| Citations received | 14 |
It seems remarkable that Rachel Teukolsky can suggest, as she does in her introduction, that her book is the first to look at ‘the cultural history of aesthetic judgements’ (p. 5) in the Victorian period, the first history, in effect, of Victorian art writing. Nineteenth-century British art has been well served by the social turn in art history – one thinks of recent works by Tim Barringer and Lynda Nead that are attentive to the mediation of visual works. Victorian art has also received substantial attention from literary scholars, including J. B. Bullen, Linda Dowling, and Kate Flint, who have paid particular attention to writing about art, as one would expect. And art historians, sociologists, and philosophers have increasingly collaborated on the production of a long-overdue historiography of art history, including its institutions, of which art criticism is one. Yet Teukolsky is right. While there are institutional studies (notably of the nineteenth-century museum), works on canonical critics (especially Ruskin and Pater), and analyses of Victorian visual culture more broadly, there has been, until now, no work to which one could turn for a history of the emergence and development of art criticism in nineteenth-century Britain, certainly not one that took account of debates in the popular and mass media as well as those in philosophical treatises. This book is, therefore, a valuable and timely work
Aesthetics · Art · Art criticism · Art history · Criticism · Cultural history · Historiography · History of art · Literature · Performance art · Period (music · Sociology · Visual arts · Visual culture · Anthropology · Historical Art and Culture Studies · History · Photography and Visual Culture · Visual Culture and Art Theory
Brutal Visions
Art and the Literary
Text-mining metadata
Fostering in the People the Purest Types of Beauty
Arthur Hacker's Syrinx (1892)
Dissolving views, memory and sensory experience
The “Transition to Modernism”
Glimpses of the Wonderful”
Proserpina Unbound
Beauty
Pre-Raphaelitism, Science, and the Arts in the Germ
Ruskin, Darwin, and Looking Beneath Surfaces
The School of Pater
Artistic Objectivity
| Unique citing works | 14 |
|---|---|
| Citations per year | 1,08 |
| Citation span | 2013 - 2023 (11) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 13 |