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Divinity and decay

The narrative of miraculous renovation and the repair of sacred images in colonial Mexico

Bibliographic Data

ID12413527
AuthorsDerek Burdette (University of Oregon, corresponding author)
Year2016
Volume25
Issue3
Pages351-370
Publication date2016-07-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueColonial Latin American Review (JOURNAL)
Journal identifiersISSN: 1060-9164 • E-ISSN: 1466-1802
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/10609164.2016.1227633
OpenAlexW2588611904
LanguageEN
Citations received1
References cited13

Miraculous images in the early modern period were continually restored and touched up to ensure their continued decency, relevancy, and efficacy as divine conduits. This article focuses on the miraculous narratives that accompanied those artistic alterations, and in particular, on the trope of miraculous renovation that explained the dramatic restoration of several blackened and decayed crucifixes in seventeenth-century Mexico. By unpacking the biography of the Señor de Santa Teresa, Mexico's most famous Cristo Renovado, I reveal how the ‘renovation narrative’ that took hold in the region wove together artistic and religious discourses to explain the formal transformation of indecent statues of Christ. I also show how the story resolved broader concerns regarding artistic decorum, the inherently corruptible media from which the images were crafted, fears of native idolatry held by the clergy, and the struggle between devotees and patrons to control images imbedded within devotional communities

Aesthetics · Archaeology · Art · Colonialism · Decorum · Divinity · Literature · Narrative · Theology · Early Modern Women Writers · Historical and Religious Studies of Rome · History · Latin American history and culture · Philosophy

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Unique citing works1
Citations per year0,2
Citation span2021 - 2021 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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