Anachronic Renaissance
Bibliographic Data
| ID | 23399795 |
|---|---|
| Authors | Alexander Nagel (0000-0002-0430-885X), Corinne Shear Wood (0000-0002-1725-9444), Christopher S Wood (0000-0001-8337-876X) |
| Year | 2010 |
| Pages | 456 |
| Publication date | 2010-05-14 |
| Open Access | No |
| Type | BOOK |
| Venue | Anachronic Renaissance (SOURCE_BOOK) |
| Publisher | Zone Books (PUBLISHER) |
| DOI | 10.2307/j.ctv1453n0p |
| OpenAlex | W4244221894 |
| Open Library | OL29873314M |
| ISBN | 9781942130444 |
| Language | FR |
| Citations received | 119 |
Plural temporality of the work of art -- "The image of the image of Our Lady" -- What is substitution? -- An antique statue of Christ -- The plebeian pleasure of anachronism -- Architectural models -- Double origins of the Christian temple -- Icon maintenance -- Fashion in painting -- Ancient painting -- Substitution symbolized -- Author and acheiropoieton -- Antiquity of buildings overrated -- Non-actual histories of architecture -- Temples painted, printed, and real -- Citation and spoliation -- Neo-cosmatesque -- Movable buildings -- The Titulus Crucis -- The fabrication of visual evidence -- Retroactivity -- Forgery 1: copy -- Forgery 2: pastiche -- Anti-architecture -- The primitive hut amidst the ruins of St. Peter's -- Mosaic/paint 1: limits of substitution -- Mosaic/paint 2: intermedial comparison -- Space for fiction.
Art · Art history · The Renaissance · Renaissance and Early Modern Studies · 709.02/4 · Architecture · Architecture, renaissance · Art, Renaissance · Building materials · N6370 .n34 2010 · Recycling · Renaissance Architecture · Renaissance Art · Time and art
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Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600
Like a Virgin? Breaking, (un)making, and replicating the Madonna across time, space, and toy stores
Lost in Time
Pietro Antonio Solari’s Sculpture in the Light of the Latest Research
The biography of cultures
Uusien aikaorientaatioiden ongelma taidehistoriassa – anakronismi, kronotopia ja heterokronia
Architecture as Memory
Os sentidos do anacronismo
The School of the New Athens
The Landscape of Prehistory
Fra Angelico
David superstar. Guan Xiao e le icone nell’arte
Introduction
Roy Rabb och anakronismen
Motivstudier. Kontinuitet og fornyelse i ornamentale hybridformer fra antikken til ca. 1600
Italian Art and English Artists in the English Quattrocento
The art exhibition between cult and market
Pictorial allegory in El Greco'sLaocoönof Toledo
Henry Moore Foundation–BSR Fellowship in Sculpture
Truth and the Transunto
The Giant of Bremen
In the Labyrinth of the Library
Authoritative Copies and Divine Originals
Knowing Images
Inca Architecture from the Andes to the Adriatic
Venetians in America
Beyond Representation
Materialized Identities in Early Modern Culture, 1450-1750
In Person
Forgery Beyond Deceit
Pérolas negras – primeiros fios
Danse Macabre
The Intellectual Education of the Italian Renaissance Artist
The Cambridge Intellectual History of Byzantium
Architectural Restoration and Heritage in Imperial Rome
Antiquities
The Fabric of War
Artists’ workshops
Painting, Ethics, and Aesthetics in Rome
The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans
Ruin and Reconstruction
Mapping and voyages
Nostalgia in Print and Performance, 1510–1613
Michael Psellos
Legal Thought
Religion
The Cambridge Companion to the Italian Renaissance
At the end of the line
Wollheim on art’s historicity
Thucydideses
Staging Frank Lloyd Wright’s Imperial Hotel
Imágenes de una cultura visual inadvertida. Las pinturas murales rojas de San Martín de Arbulu (Álava)
Judith Leyster’s A Boy and a Girl with a Cat and an Eel
Performing Venice’s Stones
The Prehistoricity of Cinema
Giorgio Spavento e la facciata di Santi Filippo e Giacomo a Venezia
Islamic Lives of Iberian Megaliths
Cosmopolitan philology
Bread/head
Unworking Milton
Presently old
Renaissance humanism and modern philosophy
Notes on artistic invention in Gothic Europe
Shakespearean Medievalism and the Limits of Periodization in Cymbeline
History as translation / anachronism as synchronism
And My Sin Is Ever Before Me” (Psalm 51
The Gap Which Separates
Divinity and decay
Counterfeit money, starring Patty Hearst
Puddles of Time
Life in the Grotto
Moldy Pericles
Layering historical time
Medieval artwork contra Renaissance artwork in nineteenth-century Britain
The Whisperers
On Renaissance Nonmodernity
Out of The Shadow of Vasari
H orace W alpole's dream
Regarding the Image of the Pain of Others
Interdisciplinary Explorations of Postmortem Interaction
Creativity and Style in GAN and AI Art
Nābulusī Explores the Ruins of Baalbek
Embodying Devotion
Squeezing, Squirting, Spilling Milk
Titian’s Christ with the Coin
Stradano’s Allegorical Invention of the Americas in Late Sixteenth-Century Florence
Heiress of Fiction
Bramante's coro finto , Ex-Votos, and Cult Practice in Sforza Milan
Anachronisme et interprétation
Le mythe de l’« icône »
We Have Been Early Modern for a While
Female, grief and Romanticism
Lives of bronze gods and wooden puppets
A Power to Intrigue? Exploring the ‘Timeless’ Qualities of the So‐called ‘Grotesque’ Iron Age Torc From Snettisham, Norfolk
La Virgen de Chiquinquirá y la religión muisca
Patrons and Artists on the Move
Saint Catherine and the Clock
Anachronism
On large‐scale gilding and mosaic simulation in medieval Serbian wall painting
| Unique citing works | 119 |
|---|---|
| Citations per year | 7,93 |
| Citation span | 2011 - 2025 (15) |
| Citation velocity | recent |
| Highly cited | Yes |
| Citation types | Neutral: 91 |