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Stradano’s Allegorical Invention of the Americas in Late Sixteenth-Century Florence

Bibliographic Data

ID10412372
AuthorsLia Markey (Princeton University, corresponding author)
Year2012
Volume65
Issue2
Pages385-442
Publication date2012-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueRenaissance Quarterly (JOURNAL)
Journal identifiersISSN: 0034-4338 • E-ISSN: 1935-0236
PublisherUniversity of Chicago Press (PUBLISHER • US)
DOI10.1086/667256
OpenAlexW2093616821
LanguageEN
Citations received7
References cited34

This essay situates Giovanni Stradano’s engravings of the discovery of the Americas from the Americae Retectio and Nova Reperta series within the context of their design in late sixteenth-century Florence, where the artist worked at the Medici court and collaborated with the dedicatee of the prints, Luigi Alamanni. Through an analysis of the images in relation to contemporary texts about the navigators who traveled to the Americas, as well as classical sources, emblems, and works of art in diverse media — tapestry, print, ephemera, and fresco — the study argues that Stradano’s allegorical representations of the Americas were produced in order to make clear Florence’s role in the invention of the New World

Archaeology · Art · Art history · Context (archaeology · Emblem · Ephemera · Fresco · Humanities · Literature · Order (exchange · Painting · Performance art · Relation (database · Visual arts · Early Modern Spanish Literature · Historical Influence and Diplomacy · History · Renaissance and Early Modern Studies

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Unique citing works7
Citations per year0,58
Citation span2014 - 2026 (13)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7

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