Layering historical time
Amelia Opie’s “Recollections of a Visit to Paris in 1802”
Bibliographic Data
| ID | 12154451 |
|---|---|
| Authors | Susan L Siegfried (Departments of the History of Art and Women’s Studies, University of Michigan, Ann Arbor, MI, USA, corresponding author) |
| Year | 2020 |
| Volume | 42 |
| Issue | 3 |
| Pages | 289-311 |
| Publication date | 2020-05-26 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Nineteenth Century Contexts (JOURNAL) |
| Journal identifiers | ISSN: 0890-5495 • E-ISSN: 1477-2663 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/08905495.2020.1773110 |
| OpenAlex | W3033655688 |
| Language | EN |
| References cited | 23 |
In 1799, the year after their marriage, John Opie painted a portrait of his new wife, the British poet and novelist Amelia Alderson Opie (1769–1853) (Figure 1). The portrait is very unusual in show
Art · Art history · Layering · Portrait · Theology · Wife · French Literature and Criticism · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · History, Culture, and Diplomacy · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |