An Avant-garde for Today
‘The Ally of its Own Gravediggers’? Some Thoughts on Apollinaire and Kundera
Bibliographic Data
| ID | 12417045 |
|---|---|
| Authors | Timothy Mathews (0000-0002-1204-8365, University College London, corresponding author) |
| Year | 2011 |
| Volume | 19 |
| Issue | 2 |
| Pages | 321-328 |
| Publication date | 2011-04-14 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-7987 • E-ISSN: 1474-0575 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s106279871000058x |
| OpenAlex | W2058711123 |
| Language | EN |
| References cited | 2 |
This essay is concerned with the power of art to effect change, but also to show attachments to existing ways of understanding. Avant-garde art from Cubism to Surrealism seeks to transform the shapes in which we see the world. But change may simply create blindness to the past, and to what is, and to the way our chains are yanked by the lures of domination whether economic, social or emotional. Kundera's novelistic meditation on the canonical and radical poets Rimbaud and Éluard encourages us to wonder whether the obsession with change is an investment in the powers of oblivion and ignorance
Aesthetics · Art · Art history · Blindness · Epistemology · Ignorance · Literature · Meditation · Power (physics · Theology · Wonder · Eastern European Communism and Reforms · European Cultural and National Identity · Literature, Musicology, and Cultural Analysis · Philosophy
| Highly cited | No |
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