Unchanging forms of identity in literary expression
Bibliographic Data
| ID | 12417064 |
|---|---|
| Authors | Robert Ellrodt (corresponding author) |
| Year | 1999 |
| Volume | 7 |
| Issue | 1 |
| Pages | 113-126 |
| Publication date | 1999-02-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | European Review (JOURNAL) |
| Journal identifiers | ISSN: 1062-7987 • E-ISSN: 1474-0575 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s1062798700003781 |
| OpenAlex | W2089161969 |
| Language | EN |
| References cited | 15 |
The development of self-consciousness and the questioning of identity appear to be closely linked in literary history and theory. The postmodernist assumption that the self is only a heterogeneous cultural construct is unwarranted. Besides inner experience, there is an objective basis for the singularity of the self in biology, psychoanalysis and psychology. The exploration of the modes of consciousness and imagination mirrored in literary creation can bring evidence of structures and correlations unnoticed in personality studies. The presence and permanent nature of individual traits and their characteristic interrelations may be detected in the works of the English Metaphysical poets and John Milton
Aesthetics · Art · Consciousness · Construct (python library · Epistemology · Expression (computer science · Identity (music · Literature · Metaphysics · Personality · Psychoanalysis · Hermeneutics and Narrative Identity · Philosophical and Historical Studies · Philosophy · Psychology · Religious Studies and Spiritual Practices
Genèse de la conscience moderne
Les mots et les choses
Death and Return of the Author
Being, Identity, and Truth
Les Structures fondamentales de l'univers imaginaire Miltonien
From L'Etre et le Neant
Being, Identity, and Truth
Renaissance self-fashioning
The Structure of Human Personality
A la Recherche du Temps Perdu
Literary History and the Search for Certainty
| Citation velocity | historical |
|---|---|
| Highly cited | No |