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L. S. Vygotsky on theater

From theatrical critique to the Psychology of the actor

Bibliographic Data

ID12428576
AuthorsPriscila Nascimento Marques (0000-0002-7111-6372, Universidade Federal do Rio de Janeiro, corresponding author)
Year2022
Volume29
Issue2
Pages143-155
Publication date2022-03-08
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMind Culture and Activity (JOURNAL)
Journal identifiersISSN: 1074-9039 • E-ISSN: 1532-7884
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/10749039.2022.2049310
OpenAlexW4220870580
LanguageEN
Citations received2
References cited8

This paper discusses the various appearances of theater in the writings of L. S. Vygotsky. Starting with an overview of his early and still little explored production of theatrical criticism, we observe how theater gradually entered the field of psychology and came to be analyzed as a psychological problem. The analysis of this topic reveals an important shift in Vygotskian thought, i.e., a turn from objective to concrete psychology. With respect to Vygotsky’s aesthetic stance, the paper provides a commentary about the relations between art and society, an underlying topic for the cultural-historical perspective

Activity Theory · Aesthetics · Art · Cognitive science · Criticism · Cultural psychology · Epistemology · Field (mathematics · Literature · Perspective (graphical · Psychoanalysis · Sociology · Visual arts · Innovative Education and Learning Practices · Innovative Teaching and Learning Methods · Philosophy · Psychology · Social Psychology · Teacher Education and Leadership Studies

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Unique citing works2
Citations per year2
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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