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Cultural codes in the iconography of St Nicholas (Santa Claus)

Bibliographic Data

ID12636611
AuthorsMałgorzata Haładewicz-Grzelak (0000-0002-0036-9778, corresponding author)
Year2011
Volume39
Issue1
Pages105-144
Publication date2011-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueSign Systems Studies (JOURNAL)
Journal identifiersISSN: 1406-4243 • E-ISSN: 1736-7409
PublisherUniversity of Tartu (PUBLISHER • EE)
DOI10.12697/sss.2011.39.1.04
OpenAlexW2310252012
LanguageEN
Citations received1

This paper examines some aspects of the cultural codes implied in the iconography of St Nicholas (Santa Claus). The argument posits the iconography of St Nicholas as a vessel for capturing meanings and accumulating them in the construction of public culture. The discussion begins from the earliest developments of the Christian era and proceeds to contemporary depictions (imagology). The study is conducted on the basis of a representative selection of renditions of Saint Nicholas, including 350 pictures of medieval representations (Western and Eastern Christianity), folk extensions and secular representations and it is theoretically grounded in the Tartu School of semiotics

Archaeology · Argument (complex analysis · Art · Art history · Christianity · Iconography · Linguistics · Literature · SAINT · Semiotics · Culinary Culture and Tourism · Folklore, Mythology, and Literature Studies · Historical and Archaeological Studies · History · Philosophy

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Unique citing works1
Citations per year0,25
Citation span2022 - 2022 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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