Decolonial and EcoGothic Tropes in Deepa Anappara’s Djinn Patrol on the Purple Line

Bibliographic Data

ID12647883
AuthorsSanghamitra Devi (Tezpur University, corresponding author), Esther Daimari (0000-0003-0585-0787, Tezpur University)
Year2023
Volume22
Issue2
Pages148-169
Publication date2023-07-23
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueeTropic electronic journal of studies in the tropics (JOURNAL)
Journal identifiersISSN: 1448-2940 • E-ISSN: 1448-2940
PublisherJames Cook University (PUBLISHER • AU)
DOI10.25120/etropic.22.2.2023.3977
OpenAlexW4385164132
LanguageEN
Citations received1
References cited22

This paper analyzes Deepa Anappara’s novel Djinn Patrol on the Purple Line (2020) from a decolonial ecoGothic perspective to show how the novel exposes the human and ecological crises in an urban slum known as a “basti” in an unnamed part of present-day India. The paper argues that Anappara uses the child narrator Jai and the gothic tropes of “Bhoot,” “Djinn,” and “smog” to convey the violent and traumatic experiences of marginalized communities residing in the slum. The novel uncovers child kidnappings, murders, and toxic waste dumps. This paper explores how Anappara employs the imagery of South Asian Gothic tropes as devices to create a postcolonial urban ecoGothic highlighting the ecological and climatic crises that arise out of the gentrification of the city and the growing divide between the slum dwellers and the privileged inhabitants of high-rise gated communities. Finally, the paper posits that Anappara’s decolonial ecoGothic creates a vision of the city as a site of trauma, violence, corruption, and environmental degradation within a neocolonial capitalist regime

Art · Civil engineering · Gentrification · Language change · Literature · Perspective (graphical · Slum · Sociology · Visual arts · Engineering · Geographies of human-animal interactions · Gothic Literature and Media Analysis · History

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