Esther Daimari
Biographic Data
| ID | 6368453 |
|---|---|
| NAME | Esther Daimari |
| GIVEN NAMES | Esther |
| FAMILY NAME | Daimari |
| SIGNATURE | DAIMARI E |
| AFFILIATIONS | Tezpur University |
| ORCID | 0000-0003-0585-0787 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Mapping Memory Culture of 1942 Burma Exodus in Colin McPhedran’s White Butterflies and Dr. Krishnan Gurumurthy’s “Exodus from Burma, 1941
The literature of 1942 Exodus from Burma is representative of partisan historiography where the eulogy of colonial intervention often facilitates the erasure of intersectional inequities faced by the Anglo-Burmese and Indian refugees. This has precipitated the subversion of the historical agency of the heterogenous refugee communities; conflated their unique experiences into the framework of European survival tales; and rendered a superficial med…
Decolonial and EcoGothic Tropes in Deepa Anappara’s Djinn Patrol on the Purple Line
This paper analyzes Deepa Anappara’s novel Djinn Patrol on the Purple Line (2020) from a decolonial ecoGothic perspective to show how the novel exposes the human and ecological crises in an urban slum known as a “basti” in an unnamed part of present-day India. The paper argues that Anappara uses the child narrator Jai and the gothic tropes of “Bhoot,” “Djinn,” and “smog” to convey the violent and traumatic experiences of marginalized communities …
Landscape in Romesh Gunesekera’s Reef, The Sandglass , and Heaven’s Edge
This paper seeks to analyze the representation of landscapes in three of Romesh Gunesekera’s novels, Reef (1994), The Sandglass (1998) and Heaven’s Edge (2002). It examines how “landscape” is treated by Gunesekera not just as a material entity but also as symbolic-as a repository of myth and imagination, and as a “veil behind which violence and viciousness hide”. This is done by exploring Gunesekera’s sense of place and his “way of seeing” the la…
Landscape in Romesh Gunesekera’s Reef, The Sandglass , and Heaven’s Edge
This paper seeks to analyze the representation of landscapes in three of Romesh Gunesekera’s novels, Reef (1994), The Sandglass (1998) and Heaven’s Edge (2002). It examines how “landscape” is treated by Gunesekera not just as a material entity but also as symbolic-as a repository of myth and imagination, and as a “veil behind which violence and viciousness hide”. This is done by exploring Gunesekera’s sense of place and his “way of seeing” the la…
Landscape in Romesh Gunesekera’s Reef, The Sandglass , and Heaven’s Edge
This paper seeks to analyze the representation of landscapes in three of Romesh Gunesekera’s novels, Reef (1994), The Sandglass (1998) and Heaven’s Edge (2002). It examines how “landscape” is treated by Gunesekera not just as a material entity but also as symbolic-as a repository of myth and imagination, and as a “veil behind which violence and viciousness hide”. This is done by exploring Gunesekera’s sense of place and his “way of seeing” the la…
Decolonial and EcoGothic Tropes in Deepa Anappara’s Djinn Patrol on the Purple Line
This paper analyzes Deepa Anappara’s novel Djinn Patrol on the Purple Line (2020) from a decolonial ecoGothic perspective to show how the novel exposes the human and ecological crises in an urban slum known as a “basti” in an unnamed part of present-day India. The paper argues that Anappara uses the child narrator Jai and the gothic tropes of “Bhoot,” “Djinn,” and “smog” to convey the violent and traumatic experiences of marginalized communities …
Mapping Memory Culture of 1942 Burma Exodus in Colin McPhedran’s White Butterflies and Dr. Krishnan Gurumurthy’s “Exodus from Burma, 1941
The literature of 1942 Exodus from Burma is representative of partisan historiography where the eulogy of colonial intervention often facilitates the erasure of intersectional inequities faced by the Anglo-Burmese and Indian refugees. This has precipitated the subversion of the historical agency of the heterogenous refugee communities; conflated their unique experiences into the framework of European survival tales; and rendered a superficial med…
Art (2 works) · History (2 works) · History (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 works) · Art history (1 works) · Asian Geopolitics and Ethnography (1 works) · Civil engineering (1 works) · Colonial History and Postcolonial Studies (1 works)