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Axolotl/Bichos Raros Crónica

Bibliographic Data

ID12651004
AuthorsSusana Chávez-Silverman (Pomona College, corresponding author)
Year2012
Volume9
Issue2
Publication date2012-06-05
Open AccessYes
TypeARTICLE
VenuePORTAL Journal of Multidisciplinary International Studies (JOURNAL)
Journal identifiersISSN: 1449-2490 • E-ISSN: 1449-2490
PublisherUTS ePRESS (PUBLISHER • AU)
DOI10.5130/portal.v9i2.2514
OpenAlexW2086578994
LanguageES

In this crónica, I pay homage (and talk back to!) one of my favourite authors, Julio Cortázar, who I had the great privilege and pleasure of befriending in 1980, when he was a visiting professor at UC-Berkeley. I have been obsessed with time-travel, doubling, and interstitiality since I was very young; even the most casual Cortázar reader (if such a thing is possible) will immediately recognise these as recurrent themes in his work. Here, faced with several actual axolotl in a Buenos Aires aquarium, I explore and comment on Cortázar’s strangely mesmerising meditation on identity and transformation. My personal connection is (as in much of my writing) concerned with aspects of gender and sexuality suppressed or (more likely) ignored in Cortázar’s version. I identify, too, with a poignant in-betweenness and ambiguity I read in the figure of the axolotl—and in the work of Cortázar and Alejandra Pizarnik

Aesthetics · Art · Axolotl · Biology · Casual · Favourite · Identity (music · Literature · Pleasure · Psychoanalysis · Sociology · Theology · Veneration · Borges, Kipling, and Jewish Identity · Comparative Literary Analysis and Criticism · Gender Studies · Latin American Literature Analysis · Law · Philosophy · Psychology

Highly citedNo

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