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Trace publics as a qualitative critical network tool

Exploring the dark matter in the #MeToo movement

Bibliographic Data

ID12657012
AuthorsNaomi Barnes (0000-0002-4049-1866, Queensland University of Technology, corresponding author)
Year2020
Volume22
Issue7
Pages1305-1319
Publication date2020-07-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueNew Media & Society (JOURNAL)
Journal identifiersISSN: 1461-4448 • E-ISSN: 1461-7315
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1461444820912532
OpenAlexW3045201020
LanguageEN
Citations received5
References cited27

The relationship between the daily practice of personal politics and digitally networked publics amplify a familiar shaping and reshaping of the social. This article expands on nascent critiques of nodocentrism as a contemporary representation of the social in new media research to begin to advance a digital methods multidisciplinary project. Trace publics as a qualitative critical network (QCN) approach considers how representations developed by big social data analysis are shaped by everyday practices. Using the #MeToo phenomenon as an analogous frame, I show how trace publics can be used as a theoretical and methodological device for deconstructing, co-constructing, and reconstructing representations in social media research. The goal of such a proposal is to encourage future critical network and data research to consider the ethical ramifications of nodocentric representations of the social and the methodological possibilities of trace publics

Content analysis · Epistemology · Frame (networking · Frame analysis · Media studies · Political science · Politics · Public relations · Publics · Representation (politics · Social media · Social science · Sociology · Telecommunications · World Wide Web · Computer Science · Ethics and Social Impacts of AI · Law · Misinformation and Its Impacts · Social Media and Politics

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Unique citing works5
Citations per year1
Citation span2021 - 2024 (4)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 5

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