The ‘lonely raver’
Music livestreams during Covid-19 as a hotline to collective consciousness
Dados Bibliográficos
| ID | 12657997 |
|---|---|
| Autores | F Vandenberg (0000-0002-0425-744X, Department of Arts and Culture Studies, Erasmus University, Rotterdam, The Netherlands, autor correspondente), Michaël Berghman (0000-0002-7755-3135, Department of Arts and Culture Studies, Erasmus University, Rotterdam, The Netherlands), Julian Schaap (0000-0002-3656-4225, Department of Arts and Culture Studies, Erasmus University, Rotterdam, The Netherlands) |
| Ano | 2020 |
| Volume | 23 |
| Fascículo | sup1 |
| Páginas | S141-S152 |
| Data de publicação | 2020-09-14 |
| Peer Reviewed | Sim |
| Open Access | Sim |
| Tipo | ARTICLE |
| Periódico | European Societies (JOURNAL) |
| Identificadores do periódico | ISSN: 1461-6696 • E-ISSN: 1469-8307 |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/14616696.2020.1818271 |
| OpenAlex | W3086096427 |
| Idioma | EN |
| Citações recebidas | 53 |
| Referências citadas | 26 |
This paper offers an explorative analysis of the online social practices of \nlivestreamed concerts as one of the most popular cultural outlets during the \nCOVID-19 imposed ‘lockdown’ in Europe. Ritual theory is used to investigate \nthe potential of these virtual concerts in generating a collective \nconsciousness, and the related feelings of social solidarity and resilience, \nspecifically important in times of physical isolation. Through a thematic \ncontent analysis of the comments (n = 1501) posted during livestreamed \ntechno concerts in the Netherlands, we find that both old and new ritual \nactions are used to form online communities. While these ritual activities mark \nparticipation and remind members of a previous collective feeling, the \nomission of visceral elements of a physical audience hampers the \nestablishment of a renewed sense of social solidarity
Collective unconscious · Consciousness · Coronavirus disease 2019 (COVID-19 · Feeling · Hotline · Media studies · Political science · Psychoanalysis · Qualitative research · Social science · Sociology · Solidarity · Thematic analysis · Music History and Culture · Psychology · Social and Cultural Dynamics · Social Media and Politics · Social Psychology
Kultur
Music scenes and cultural ecosystems – Alternative practices between ‘official policy recognition’ and ‘post-pandemic austerity’
Kultur
Intoxication
The impact of the Covid-19 pandemic on the creative industries
Power Dynamics in the Arts Sponsorship
Hybrydowe praktyki muzyczne jako fenomen współczesnej kultury
The influence of formats and preferences on the aesthetic experience of classical music concert streams
Religious Solidarity for Coping with Economic Crisis During the Covid-19 Pandemic
Virtual Performances and Ai-Driven Audience Analytics
La musique live en contexte numérique. Captation, diffusion, valorisation, usages
The importance of e-service quality in the livestreaming music concert business
“First Ones to Close and Last Ones to Re-Open”
Impact of Covid-19 on Virtual Guitar Communities
Becoming Sustainable, Underground
Transformations in participation, creative and political practices in the punk scene in Bogotá during the Covid-19 pandemic
The gatekeepers’ puzzle
Jedność czasu zamiast jedności miejsca? Rozumienie żywości w czasie pandemii Covid-19
Streaming classical concerts
Developing Digital Classical Concert Stream Offerings – A Typology of Audience Preferences
A theory of co-production as joint household production with illustrations from the arts
Affordances and Experiential Dimensions of Digital Concerts
Music and Covid-19
Alone and lonely? How physical and perceived isolation can lead to problematic internet use
Lockdown locomotion
Public Spaces as Homophilic Spaces
Hybrid festivals
The Virus as a Catalyst for Culture? Sociological Reflections Using as Example the Musical Practices during the Covid-19 Pandemic
Questions liées au genre dans la scène berlinoise de l’electronic dance music
The social value of music during the Covid-19 pandemic
In Sync
It’s like a hug
Visiting pop concerts and festivals
Get back
Impacts of the Covid-19 pandemic on music festival attendees
Beyond Bodily Co-Presence
Types of Struggles in Disrupted Interaction
Put Your 'Hand Emotes in the Air
Unfolding Affective Atmospheres during the Covid-19 Pandemic Crisis
Being a DJ in a time of zero social huddling
Interaction rituals and technology
The emotional challenges of working-life digitalisation
Sharing Art as a Daily Resistance Strategy in Madrid during the 2020 Lockdown
Communication Through Music During the Attack of Covid-19
Covid-19 Experiences of Stage Performers
The impact of the coronavirus crisis on European societies. What have we learnt and where do we go from here? – Introduction to the Covid volume
Musician emotional wellbeing during the pandemic
Live music imaginaries in the reception of online popular music concerts
Between convenience and connection
Are you ready for a little chat?’ 1
Ritualization and emotional resilience in times of crisis
Jerusalema, a Heritage Day Song of the Covid-19 Pandemic
The game is on!' Eventness at a distance at a livestream concert during lockdown
The Symbolic Construction of Community
Music in Everyday Life
Sentiment of Emojis
Funeral and Instagram
On the Power of Music to Affect Intergroup Relations
Rave Culture and Religion
The Symbolic Construction of Community
A ‘Rave’ Review
The Spiritual and the Revolutionary
Social motivations of live-streaming viewer engagement on Twitch
Interaction Ritual Chains
The economy of live music in the digital age
The Elementary Forms of Religious Life
Facebook and FarmVille
Emojis as Tools for Emotion Work
The Sociological Role of Collective Singing during Intense Moments of Protest
What Is Sociological about Music
| Obras citantes distintas | 53 |
|---|---|
| Citações por ano | 10,6 |
| Intervalo de citações | 2021 - 2026 (6) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 51 |