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City and desire in Indonesian cinema

Bibliographic Data

ID12670976
AuthorsIntan Paramaditha (0000-0003-3761-8958, corresponding author)
Year2011
Volume12
Issue4
Pages500-512
Publication date2011-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInter-Asia Cultural Studies (JOURNAL)
Journal identifiersISSN: 1464-9373 • E-ISSN: 1469-8447
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/14649373.2011.603915
OpenAlexW2153910020
LanguageEN
Citations received6
References cited5

This article examines the ways in which desire in/for the city is projected in contemporary Indonesian cinema in comparison with the authoritarian New Order period (1965–1998). Despite the government's visual investment to project the image of a unified, stable, and modern nation, filmmakers of the New Order period sought ways to capture ‘national reality’ that was incongruous to the official version of national ideals by portraying the urban space, particularly Jakarta, as a site of social/economic disjuncture and moral contradiction produced by Suharto's developmentalist paradigm. The post-New Order era is characterized by the emergence of a new generation of filmmakers whose cinematic imaginations were shaped by the promises of political reform, the global flows of images and capital, and the dissolving image of a coherent nation. Whereas the previous generation treated subjects who pursue their desire in the city with suspicion, contemporary Indonesian filmmakers embrace the city and the production of

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Unique citing works6
Citations per year0,55
Citation span2015 - 2022 (8)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 5

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