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Screening Piety, Class, and Romance in Indonesia

Scenes from an Argument Already Well Underway

Bibliographic Data

ID2904036
AuthorsRichard Fox (0000-0002-2541-5849, 1 University of Victoria Department of Pacific and Asian Studies, corresponding author)
Year2020
Volume176
Issue1
Pages70-104
Publication date2020-03-19
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueBijdragen tot de taal- land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia (JOURNAL)
Journal identifiersISSN: 0006-2294 • E-ISSN: 2213-4379
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/22134379-bja10003
OpenAlexW3012087933
LanguageEN
References cited28

The collapse of the New Order ushered in what many had hoped would be a new era of openness and transparency for Indonesia. The loosening of laws pertaining to broadcast and print publication gave rise to a proliferation of new media and cultural production. This had a profound effect on everything, from politics, religion, and the economy to popular conceptions of romantic intimacy and personal accomplishment. The question is whether prevailing approaches to media and popular culture are adequate to the task of accounting for these oft-cited transformations in Indonesian public life. Focusing on issues of piety, class, and romance, this article examines a sequence of films, pop songs, and YouTube parody videos to offer a presuppositional critique of the current scholarship. Its central contention is that closer attention to pop culture as a form of 'argument' offers an important corrective to the reifying tendencies of prevailing approaches

Aesthetics · Argument (complex analysis · Art · Literature · Media studies · Openness to experience · Piety · Political science · Politics · Popular culture · Romance · Scholarship · Sociology · Transparency (behavior · Asian Studies and History · Gender, Feminism, and Media · Law · Psychology · Social Psychology · Socioeconomic Development in Asia

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Citation velocityhistorical
Highly citedNo

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