Noucentisme 's “arbitrary” nature in the Mont-roig landscapes of Joan Miró (1918–1922)
Bibliographic Data
| ID | 12699124 |
|---|---|
| Authors | Jordi Larios (0000-0002-8181-2419, University of St Andrews, corresponding author) |
| Year | 2014 |
| Volume | 20 |
| Issue | 3 |
| Pages | 291-303 |
| Publication date | 2014-09-02 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Iberian & Latin American Studies (JOURNAL) |
| Journal identifiers | ISSN: 1469-9524 • E-ISSN: 1470-1847 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/14701847.2014.1008263 |
| OpenAlex | W2085821637 |
| Language | EN |
| References cited | 1 |
The purpose of this article is to discuss the development of Joan Miró's aesthetics between 1915 and the early 1920s, and to offer an interpretation of a series of landscapes that he painted between 1918 and 1922, by highlighting their similarities with some of the landscapes described by Catalan writer Josep Pla in his Obra completa. Both Miró's and Pla's landscapes are situated within the context of Noucentisme and, more particularly, of Noucentisme's classicist aesthetics as defined by Eugeni d'Ors in his Glosari
Archaeology · Art · Art history · Catalan · Context (archaeology · Humanities · Interpretation (philosophy · Linguistics · Situated · History · Landscape and Cultural Studies · Philosophy · Urbanism, Landscape, and Tourism Studies
| Highly cited | No |
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