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Towards a critical visual pedagogy

A response to the ‘end of poverty’ narrative

Bibliographic Data

ID12700087
AuthorsArjun Shankar (0000-0002-4312-4412, University of Pennsylvania, corresponding author)
Year2014
Volume13
Issue3
Pages341-356
Publication date2014-07-14
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueVisual Communication (JOURNAL)
Journal identifiersISSN: 1470-3572 • E-ISSN: 1741-3214
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/1470357214530065
OpenAlexW2328563604
LanguageEN
Citations received9
References cited9

In this article, the author calls for a critical visual pedagogy as a means to challenge visually constituted ‘grand narratives’ of poverty and suffering. In the first half, he situates images of poverty in India within a global development discourse termed the ‘end of poverty’, which functions as the rationale for social interventions in the global south and sustains a circuit of ‘poverty capital’. The author critically analyzes the visual aesthetic that accompanies the ‘end of poverty’ narrative, focusing on the visual choices that reinforce difference and promote the perception that marginalized populations need ‘saving’. Using images from his fieldwork with students in a village school in Karnataka, India, about 50 km south of Bangalore, he proposes an alternative visual aesthetic, grounded in visual ethnography, which may serve to counter the ‘end of poverty’, and grand narratives like it, while impacting how and why we participate in poverty alleviation efforts

Art · Basic needs · Capital (architecture · Culture of poverty · Economic growth · Economics · Ethnography · Literature · Narrative · Perception · Poverty · Sociology · Visual arts · Anthropology · Art Education and Development · Educational Environments and Student Outcomes · Participatory Visual Research Methods · Psychology

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Unique citing works9
Citations per year0.9
Citation span2016 - 2026 (11)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 9

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